Author Index

A

  • Aghagolzadeh, Ferdos The lingual Strategies in Representing Verbal Violence of Persian Social Dramatic Dovies: Analysis Approach: Critical Discourse (Case study: five movies) [Volume 11, Issue 21, 2020, Pages 27-47]
  • Ajourloo, Ehsan The mechanism of Monfaredian’s Windows of Focalization theory in creation of new narrations out of neoclassic plays Study Case: Tom Stoppard’s play " Rosencrantz and Guildenstern are Dead” [Volume 11, Issue 21, 2020, Pages 15-27]
  • Akhshabi, Majid Foundations of improvisation in the Iranian traditional music [Volume 11, Issue 21, 2020, Pages 97-111]
  • Amini, Farhad Analyzing the role of state in H. Ibsen`s An enemy of the people with L. Althuser`s theory of ideological state. [Volume 11, Issue 22, 2020, Pages 5-19]
  • Azadehfar, Mohammad Reza A Survey on Street Music Genres in Tehran from 2001 to 2016 [Volume 11, Issue 22, 2020, Pages 77-93]

B

  • Bidadian, Fahimeh The lingual Strategies in Representing Verbal Violence of Persian Social Dramatic Dovies: Analysis Approach: Critical Discourse (Case study: five movies) [Volume 11, Issue 21, 2020, Pages 27-47]
  • Bozorgmehr, Shirin Analyzing the role of state in H. Ibsen`s An enemy of the people with L. Althuser`s theory of ideological state. [Volume 11, Issue 22, 2020, Pages 5-19]

D

  • Dadvar, abolghasem The study of String instruments with bow in Safavid and Gurkanian era based on what illustrated on paitings [Volume 11, Issue 22, 2020, Pages 95-113]
  • Divandary, Javad The study of String instruments with bow in Safavid and Gurkanian era based on what illustrated on paitings [Volume 11, Issue 22, 2020, Pages 95-113]

E

  • Esfandiari, Shahab The Role of Decoupage in Orientation and Moral Judgment of the Audience: Studying Two Iranian Movies, The Glass Agency and A Separation [Volume 11, Issue 21, 2020, Pages 47-65]
  • Esfandyari, Shahab From the Bird's eye view to the Mole's sensory perception: the process of expansion of subjective territories in the spectatorship experience [Volume 11, Issue 22, 2020, Pages 57-75]
  • Eskandarnejad, Ghazal The mechanism of Monfaredian’s Windows of Focalization theory in creation of new narrations out of neoclassic plays Study Case: Tom Stoppard’s play " Rosencrantz and Guildenstern are Dead” [Volume 11, Issue 21, 2020, Pages 15-27]
  • Eslahpazir, Abtin Narratology of Sequence Shot in the Digital Era with Emphasis on the Concepts of Time Order and Duration Case Study: Russian Ark [Volume 11, Issue 23, 2021, Pages 37-54]

H

  • Hajiani, Ebrahim Content Analysis of Cinema Economic Policies after the Islamic Revolution States in Iran and Assessing Their Preferences and Performance Results [Volume 11, Issue 22, 2020, Pages 35-55]
  • Haji Molla Ali, Mohammad Reza A Reflection on BaKhtin's Carnival in Takht- e Hozi [Volume 11, Issue 22, 2020, Pages 21-33]
  • Hoseine, Monereh Study of the Critical Function of Three Works in French New Wave Cinema and Self-Reflexivity of Cinema of Iran [Volume 11, Issue 23, 2021, Pages 55-74]
  • Hosseinkhani, Yahya A Survey on Street Music Genres in Tehran from 2001 to 2016 [Volume 11, Issue 22, 2020, Pages 77-93]

J

  • Jamali, Bahram Spiritual Relation Between Ghazal and Avaz in the Music of Dastgah [Volume 11, Issue 23, 2021, Pages 75-92]

M

  • Meysami, Sayid Hossein Foundations of improvisation in the Iranian traditional music [Volume 11, Issue 21, 2020, Pages 97-111]
  • Mokhtabad, seyed Mostafa A Reflection on BaKhtin's Carnival in Takht- e Hozi [Volume 11, Issue 22, 2020, Pages 21-33]
  • Montakhabi Bakhtvar, Narges Reflexive and Political Embodiment in Samuel Beckett’s Krapp’s Last Tape and Catastrophe [Volume 11, Issue 23, 2021, Pages 21-36]
  • Mostafavi, Ahmad Signification of Video Game as a Contemporary Art Medium [Volume 11, Issue 22, 2020, Pages 115-128]
  • Mousaaei, Meisam Content Analysis of Cinema Economic Policies after the Islamic Revolution States in Iran and Assessing Their Preferences and Performance Results [Volume 11, Issue 22, 2020, Pages 35-55]

N

P

  • Poormand, Hasan Ali A Reflection on BaKhtin's Carnival in Takht- e Hozi [Volume 11, Issue 22, 2020, Pages 21-33]

S

  • Saee, Mohammadhadi Condominium Ownership of Performing Arts (Puppet) [Volume 11, Issue 21, 2020, Pages 5-15]
  • Salehi Amiri, Seyed Reza Content Analysis of Cinema Economic Policies after the Islamic Revolution States in Iran and Assessing Their Preferences and Performance Results [Volume 11, Issue 22, 2020, Pages 35-55]
  • Salman Nasr, Koroush “Typology of Drama “King Snake” based on Theory of Mythos “Frye’ [Volume 11, Issue 23, 2021, Pages 5-18]
  • Samim, Reza A Survey on Street Music Genres in Tehran from 2001 to 2016 [Volume 11, Issue 22, 2020, Pages 77-93]
  • Sarbandi, Farnaz Content Analysis of Cinema Economic Policies after the Islamic Revolution States in Iran and Assessing Their Preferences and Performance Results [Volume 11, Issue 22, 2020, Pages 35-55]
  • Sayyad, Alireza From the Bird's eye view to the Mole's sensory perception: the process of expansion of subjective territories in the spectatorship experience [Volume 11, Issue 22, 2020, Pages 57-75]
  • Sheikhmehdi, Ali Study of the Critical Function of Three Works in French New Wave Cinema and Self-Reflexivity of Cinema of Iran [Volume 11, Issue 23, 2021, Pages 55-74]
  • Sotoudeh, Sajad The Role of Decoupage in Orientation and Moral Judgment of the Audience: Studying Two Iranian Movies, The Glass Agency and A Separation [Volume 11, Issue 21, 2020, Pages 47-65]

T

  • Taheri, Sadreddin Signification of Video Game as a Contemporary Art Medium [Volume 11, Issue 22, 2020, Pages 115-128]
  • Tayefi, Shirzad “Typology of Drama “King Snake” based on Theory of Mythos “Frye’ [Volume 11, Issue 23, 2021, Pages 5-18]

Z

  • Zafari, Mojdeh Condominium Ownership of Performing Arts (Puppet) [Volume 11, Issue 21, 2020, Pages 5-15]