A
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Aghagolzadeh, Ferdos
The lingual Strategies in Representing Verbal Violence of Persian Social Dramatic Dovies:
Analysis Approach: Critical Discourse
(Case study: five movies) [Volume 11, Issue 21, 2020, Pages 27-47]
-
Ajourloo, Ehsan
The mechanism of Monfaredian’s Windows of Focalization theory in creation of new narrations out of neoclassic plays
Study Case: Tom Stoppard’s play " Rosencrantz and Guildenstern are Dead” [Volume 11, Issue 21, 2020, Pages 15-27]
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Akhshabi, Majid
Foundations of improvisation in the Iranian traditional music [Volume 11, Issue 21, 2020, Pages 97-111]
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Amini, Farhad
Analyzing the role of state in H. Ibsen`s An enemy of the people with L. Althuser`s theory of ideological state. [Volume 11, Issue 22, 2020, Pages 5-19]
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Azadehfar, Mohammad Reza
A Survey on Street Music Genres in Tehran from 2001 to 2016 [Volume 11, Issue 22, 2020, Pages 77-93]
B
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Bidadian, Fahimeh
The lingual Strategies in Representing Verbal Violence of Persian Social Dramatic Dovies:
Analysis Approach: Critical Discourse
(Case study: five movies) [Volume 11, Issue 21, 2020, Pages 27-47]
-
Bozorgmehr, Shirin
Analyzing the role of state in H. Ibsen`s An enemy of the people with L. Althuser`s theory of ideological state. [Volume 11, Issue 22, 2020, Pages 5-19]
D
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Dadvar, abolghasem
The study of String instruments with bow in Safavid and Gurkanian era based on what illustrated on paitings [Volume 11, Issue 22, 2020, Pages 95-113]
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Divandary, Javad
The study of String instruments with bow in Safavid and Gurkanian era based on what illustrated on paitings [Volume 11, Issue 22, 2020, Pages 95-113]
E
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Esfandiari, Shahab
The Role of Decoupage in Orientation and Moral Judgment of the Audience: Studying Two Iranian Movies, The Glass Agency and A Separation [Volume 11, Issue 21, 2020, Pages 47-65]
-
Esfandyari, Shahab
From the Bird's eye view to the Mole's sensory perception: the process of expansion of subjective territories in the spectatorship experience [Volume 11, Issue 22, 2020, Pages 57-75]
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Eskandarnejad, Ghazal
The mechanism of Monfaredian’s Windows of Focalization theory in creation of new narrations out of neoclassic plays
Study Case: Tom Stoppard’s play " Rosencrantz and Guildenstern are Dead” [Volume 11, Issue 21, 2020, Pages 15-27]
-
Eslahpazir, Abtin
Narratology of Sequence Shot in the Digital Era with Emphasis on the Concepts of Time Order and Duration
Case Study: Russian Ark [Volume 11, Issue 23, 2021, Pages 37-54]
H
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Hajiani, Ebrahim
Content Analysis of Cinema Economic Policies after the Islamic Revolution States in Iran and Assessing Their Preferences and Performance Results [Volume 11, Issue 22, 2020, Pages 35-55]
-
Haji Molla Ali, Mohammad Reza
A Reflection on BaKhtin's Carnival in Takht- e Hozi [Volume 11, Issue 22, 2020, Pages 21-33]
-
Hoseine, Monereh
Study of the Critical Function of Three Works in French New Wave Cinema and Self-Reflexivity of Cinema of Iran [Volume 11, Issue 23, 2021, Pages 55-74]
-
Hosseinkhani, Yahya
A Survey on Street Music Genres in Tehran from 2001 to 2016 [Volume 11, Issue 22, 2020, Pages 77-93]
J
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Jamali, Bahram
Spiritual Relation Between Ghazal and Avaz in the Music of Dastgah [Volume 11, Issue 23, 2021, Pages 75-92]
M
-
Meysami, Sayid Hossein
Foundations of improvisation in the Iranian traditional music [Volume 11, Issue 21, 2020, Pages 97-111]
-
Mokhtabad, seyed Mostafa
A Reflection on BaKhtin's Carnival in Takht- e Hozi [Volume 11, Issue 22, 2020, Pages 21-33]
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Montakhabi Bakhtvar, Narges
Reflexive and Political Embodiment in Samuel Beckett’s Krapp’s Last Tape and Catastrophe [Volume 11, Issue 23, 2021, Pages 21-36]
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Mostafavi, Ahmad
Signification of Video Game as a Contemporary Art Medium [Volume 11, Issue 22, 2020, Pages 115-128]
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Mousaaei, Meisam
Content Analysis of Cinema Economic Policies after the Islamic Revolution States in Iran and Assessing Their Preferences and Performance Results [Volume 11, Issue 22, 2020, Pages 35-55]
P
-
Poormand, Hasan Ali
A Reflection on BaKhtin's Carnival in Takht- e Hozi [Volume 11, Issue 22, 2020, Pages 21-33]
S
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Saee, Mohammadhadi
Condominium Ownership of Performing Arts (Puppet) [Volume 11, Issue 21, 2020, Pages 5-15]
-
Salehi Amiri, Seyed Reza
Content Analysis of Cinema Economic Policies after the Islamic Revolution States in Iran and Assessing Their Preferences and Performance Results [Volume 11, Issue 22, 2020, Pages 35-55]
-
Salman Nasr, Koroush
“Typology of Drama “King Snake” based on Theory of Mythos “Frye’ [Volume 11, Issue 23, 2021, Pages 5-18]
-
Samim, Reza
A Survey on Street Music Genres in Tehran from 2001 to 2016 [Volume 11, Issue 22, 2020, Pages 77-93]
-
Sarbandi, Farnaz
Content Analysis of Cinema Economic Policies after the Islamic Revolution States in Iran and Assessing Their Preferences and Performance Results [Volume 11, Issue 22, 2020, Pages 35-55]
-
Sayyad, Alireza
From the Bird's eye view to the Mole's sensory perception: the process of expansion of subjective territories in the spectatorship experience [Volume 11, Issue 22, 2020, Pages 57-75]
-
Sheikhmehdi, Ali
Study of the Critical Function of Three Works in French New Wave Cinema and Self-Reflexivity of Cinema of Iran [Volume 11, Issue 23, 2021, Pages 55-74]
-
Sotoudeh, Sajad
The Role of Decoupage in Orientation and Moral Judgment of the Audience: Studying Two Iranian Movies, The Glass Agency and A Separation [Volume 11, Issue 21, 2020, Pages 47-65]
T
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Taheri, Sadreddin
Signification of Video Game as a Contemporary Art Medium [Volume 11, Issue 22, 2020, Pages 115-128]
-
Tayefi, Shirzad
“Typology of Drama “King Snake” based on Theory of Mythos “Frye’ [Volume 11, Issue 23, 2021, Pages 5-18]
Z
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Zafari, Mojdeh
Condominium Ownership of Performing Arts (Puppet) [Volume 11, Issue 21, 2020, Pages 5-15]
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