- Keyword Index

A

Abbass Kiarostami An Analysis of Unaccomplished Intercultural Relations in“Tickets’ Trilogy ” (Ulmi, Kiarostami, Loach) [Volume 1, Issue 2, 2011, Pages 86-71]
Accent A Comparative Study on Accents in Periodic Actions of Drama and Music [Volume 1, Issue 1, 2011, Pages 106-93]
Acting Notes on Acting in Animation [Volume 1, Issue 1, 2011, Pages 64-49]
Action A Comparative Study on Accents in Periodic Actions of Drama and Music [Volume 1, Issue 1, 2011, Pages 106-93]
Aesthetic Kant’s Aesthetics Theory and Beauty of “The Birthday Party” by Harold Pinter: Applying the Subjective Theory of Immanuel Kant in Philosophical Aesthetics in “The Birthday Party” as the Objective [Volume 1, Issue 2, 2011, Pages 19-5]
Animator Notes on Acting in Animation [Volume 1, Issue 1, 2011, Pages 64-49]
Anthropology of Art Diasporic Art as a Means of Community Identity Construction [Volume 1, Issue 1, 2011, Pages 23-5]
Anti-realism Anti-realism, Language, and the Dominant in Oleanna [Volume 1, Issue 1, 2011, Pages 47-33]

C

Character Notes on Acting in Animation [Volume 1, Issue 1, 2011, Pages 64-49]
Cinematic representation The Cinematic Representation of Reality in Two Approaches Phenomenology and Metaphysics [Volume 1, Issue 2, 2011, Pages 55-39]
Classical Music Compound Form in Folk Music of Iranian Culture [Volume 1, Issue 1, 2011, Pages 91-77]
Comprative Study A Comparative Study on Accents in Periodic Actions of Drama and Music [Volume 1, Issue 1, 2011, Pages 106-93]
Creativity From Improvisation to Performance [Volume 1, Issue 2, 2011, Pages 38-21]
Critical Reading An Analysis of Unaccomplished Intercultural Relations in“Tickets’ Trilogy ” (Ulmi, Kiarostami, Loach) [Volume 1, Issue 2, 2011, Pages 86-71]
Cultural Expression Diasporic Art as a Means of Community Identity Construction [Volume 1, Issue 1, 2011, Pages 23-5]
Cultural inhabitancy Music Perception and the Dominance of Social Inhabitancies over Music Training School: Case of Western Music Performers Living in Iran [Volume 1, Issue 2, 2011, Pages 135-125]
Cut-out technique The Influence of the Computers on the Aesthetics of Animation [Volume 1, Issue 2, 2011, Pages 100-87]
Cut-out technique Effect of Cut-out Technique in Designing the Characters as well as Movement in Iranian Animations [Volume 1, Issue 2, 2011, Pages 124-101]

D

Designing the characters The Influence of the Computers on the Aesthetics of Animation [Volume 1, Issue 2, 2011, Pages 100-87]
Designing the characters Effect of Cut-out Technique in Designing the Characters as well as Movement in Iranian Animations [Volume 1, Issue 2, 2011, Pages 124-101]
Diaspora Diasporic Art as a Means of Community Identity Construction [Volume 1, Issue 1, 2011, Pages 23-5]
Dominant Anti-realism, Language, and the Dominant in Oleanna [Volume 1, Issue 1, 2011, Pages 47-33]
Drama A Comparative Study on Accents in Periodic Actions of Drama and Music [Volume 1, Issue 1, 2011, Pages 106-93]

E

Epistemology The Cinematic Representation of Reality in Two Approaches Phenomenology and Metaphysics [Volume 1, Issue 2, 2011, Pages 55-39]
Exoticism Diasporic Art as a Means of Community Identity Construction [Volume 1, Issue 1, 2011, Pages 23-5]

F

Film Narration Narrative and Narration [Volume 1, Issue 1, 2011, Pages 32-25]
Film Narrative Narrative and Narration [Volume 1, Issue 1, 2011, Pages 32-25]
Flashback Voice-Over Narration and the Study of Its Functions in Fiction Films [Volume 1, Issue 2, 2011, Pages 70-55]
Focus 2 Windows of Focalization: Study of “Windows of Focalization” of Narrator Mechanism in Movie, The Hours by Stephen Daldry [Volume 1, Issue 1, 2011, Pages 76-65]
Folk Music Compound Form in Folk Music of Iranian Culture [Volume 1, Issue 1, 2011, Pages 91-77]

G

Gender Anti-realism, Language, and the Dominant in Oleanna [Volume 1, Issue 1, 2011, Pages 47-33]

H

Harold Pinter Kant’s Aesthetics Theory and Beauty of “The Birthday Party” by Harold Pinter: Applying the Subjective Theory of Immanuel Kant in Philosophical Aesthetics in “The Birthday Party” as the Objective [Volume 1, Issue 2, 2011, Pages 19-5]

I

Immanuel Kant Kant’s Aesthetics Theory and Beauty of “The Birthday Party” by Harold Pinter: Applying the Subjective Theory of Immanuel Kant in Philosophical Aesthetics in “The Birthday Party” as the Objective [Volume 1, Issue 2, 2011, Pages 19-5]
Immigration Diasporic Art as a Means of Community Identity Construction [Volume 1, Issue 1, 2011, Pages 23-5]
Improvisation From Improvisation to Performance [Volume 1, Issue 2, 2011, Pages 38-21]
Intercultural Studies An Analysis of Unaccomplished Intercultural Relations in“Tickets’ Trilogy ” (Ulmi, Kiarostami, Loach) [Volume 1, Issue 2, 2011, Pages 86-71]
Interdisciplinary music research Music Perception and the Dominance of Social Inhabitancies over Music Training School: Case of Western Music Performers Living in Iran [Volume 1, Issue 2, 2011, Pages 135-125]
Iranian animation The Influence of the Computers on the Aesthetics of Animation [Volume 1, Issue 2, 2011, Pages 100-87]
Iranian animation Effect of Cut-out Technique in Designing the Characters as well as Movement in Iranian Animations [Volume 1, Issue 2, 2011, Pages 124-101]
Iranian Music A Semiotic Analysis of Iranian Music in the Drama of Ta’ziyah [Volume 1, Issue 1, 2011, Pages 121-107]

J

Judgment of Taste Kant’s Aesthetics Theory and Beauty of “The Birthday Party” by Harold Pinter: Applying the Subjective Theory of Immanuel Kant in Philosophical Aesthetics in “The Birthday Party” as the Objective [Volume 1, Issue 2, 2011, Pages 19-5]

L

Language Anti-realism, Language, and the Dominant in Oleanna [Volume 1, Issue 1, 2011, Pages 47-33]

M

Metaphysical thought The Cinematic Representation of Reality in Two Approaches Phenomenology and Metaphysics [Volume 1, Issue 2, 2011, Pages 55-39]
Movements The Influence of the Computers on the Aesthetics of Animation [Volume 1, Issue 2, 2011, Pages 100-87]
Movements Effect of Cut-out Technique in Designing the Characters as well as Movement in Iranian Animations [Volume 1, Issue 2, 2011, Pages 124-101]
Music A Comparative Study on Accents in Periodic Actions of Drama and Music [Volume 1, Issue 1, 2011, Pages 106-93]
Music in different cultural contexts Music Perception and the Dominance of Social Inhabitancies over Music Training School: Case of Western Music Performers Living in Iran [Volume 1, Issue 2, 2011, Pages 135-125]
Music perception and culture Music Perception and the Dominance of Social Inhabitancies over Music Training School: Case of Western Music Performers Living in Iran [Volume 1, Issue 2, 2011, Pages 135-125]

N

Narrative Voice-Over Narration and the Study of Its Functions in Fiction Films [Volume 1, Issue 2, 2011, Pages 70-55]
Narrative Narrative and Narration [Volume 1, Issue 1, 2011, Pages 32-25]
Narrative Windows of Focalization: Study of “Windows of Focalization” of Narrator Mechanism in Movie, The Hours by Stephen Daldry [Volume 1, Issue 1, 2011, Pages 76-65]
Narratology Narrative and Narration [Volume 1, Issue 1, 2011, Pages 32-25]
Narrator Voice-Over Narration and the Study of Its Functions in Fiction Films [Volume 1, Issue 2, 2011, Pages 70-55]
Narrator Windows of Focalization: Study of “Windows of Focalization” of Narrator Mechanism in Movie, The Hours by Stephen Daldry [Volume 1, Issue 1, 2011, Pages 76-65]
Nowbat Compound Form in Folk Music of Iranian Culture [Volume 1, Issue 1, 2011, Pages 91-77]

O

Ontology The Cinematic Representation of Reality in Two Approaches Phenomenology and Metaphysics [Volume 1, Issue 2, 2011, Pages 55-39]

P

Personality Notes on Acting in Animation [Volume 1, Issue 1, 2011, Pages 64-49]
Phenomenology The Cinematic Representation of Reality in Two Approaches Phenomenology and Metaphysics [Volume 1, Issue 2, 2011, Pages 55-39]
Political Art Diasporic Art as a Means of Community Identity Construction [Volume 1, Issue 1, 2011, Pages 23-5]

S

Skill From Improvisation to Performance [Volume 1, Issue 2, 2011, Pages 38-21]
Stratificational Semiotics A Semiotic Analysis of Iranian Music in the Drama of Ta’ziyah [Volume 1, Issue 1, 2011, Pages 121-107]
Suite Compound Form in Folk Music of Iranian Culture [Volume 1, Issue 1, 2011, Pages 91-77]

T

Ta’ziyah A Semiotic Analysis of Iranian Music in the Drama of Ta’ziyah [Volume 1, Issue 1, 2011, Pages 121-107]
Theatre From Improvisation to Performance [Volume 1, Issue 2, 2011, Pages 38-21]
The Hours Windows of Focalization: Study of “Windows of Focalization” of Narrator Mechanism in Movie, The Hours by Stephen Daldry [Volume 1, Issue 1, 2011, Pages 76-65]
The performer From Improvisation to Performance [Volume 1, Issue 2, 2011, Pages 38-21]
Tickets (2005) An Analysis of Unaccomplished Intercultural Relations in“Tickets’ Trilogy ” (Ulmi, Kiarostami, Loach) [Volume 1, Issue 2, 2011, Pages 86-71]
Tragic Anti-realism, Language, and the Dominant in Oleanna [Volume 1, Issue 1, 2011, Pages 47-33]

V

Voice over narration Voice-Over Narration and the Study of Its Functions in Fiction Films [Volume 1, Issue 2, 2011, Pages 70-55]

W

Western music in the East Music Perception and the Dominance of Social Inhabitancies over Music Training School: Case of Western Music Performers Living in Iran [Volume 1, Issue 2, 2011, Pages 135-125]
Windows of Focalization Windows of Focalization: Study of “Windows of Focalization” of Narrator Mechanism in Movie, The Hours by Stephen Daldry [Volume 1, Issue 1, 2011, Pages 76-65]
World Cinema An Analysis of Unaccomplished Intercultural Relations in“Tickets’ Trilogy ” (Ulmi, Kiarostami, Loach) [Volume 1, Issue 2, 2011, Pages 86-71]