A
-
Abbass Kiarostami
An Analysis of Unaccomplished Intercultural Relations in“Tickets’ Trilogy ”
(Ulmi, Kiarostami, Loach) [Volume 1, Issue 2, 2011, Pages 86-71]
-
Accent
A Comparative Study on Accents in Periodic Actions of Drama and Music [Volume 1, Issue 1, 2011, Pages 106-93]
-
Acting
Notes on Acting in Animation [Volume 1, Issue 1, 2011, Pages 64-49]
-
Action
A Comparative Study on Accents in Periodic Actions of Drama and Music [Volume 1, Issue 1, 2011, Pages 106-93]
-
Aesthetic
Kant’s Aesthetics Theory and Beauty of “The Birthday Party” by Harold Pinter:
Applying the Subjective Theory of Immanuel Kant in Philosophical Aesthetics in
“The Birthday Party” as the Objective [Volume 1, Issue 2, 2011, Pages 19-5]
-
Animator
Notes on Acting in Animation [Volume 1, Issue 1, 2011, Pages 64-49]
-
Anthropology of Art
Diasporic Art as a Means of Community Identity Construction [Volume 1, Issue 1, 2011, Pages 23-5]
-
Anti-realism
Anti-realism, Language, and the Dominant in Oleanna [Volume 1, Issue 1, 2011, Pages 47-33]
C
-
Character
Notes on Acting in Animation [Volume 1, Issue 1, 2011, Pages 64-49]
-
Cinematic representation
The Cinematic Representation of Reality in Two Approaches Phenomenology
and Metaphysics [Volume 1, Issue 2, 2011, Pages 55-39]
-
Classical Music
Compound Form in Folk Music of Iranian Culture [Volume 1, Issue 1, 2011, Pages 91-77]
-
Comprative Study
A Comparative Study on Accents in Periodic Actions of Drama and Music [Volume 1, Issue 1, 2011, Pages 106-93]
-
Creativity
From Improvisation to Performance [Volume 1, Issue 2, 2011, Pages 38-21]
-
Critical Reading
An Analysis of Unaccomplished Intercultural Relations in“Tickets’ Trilogy ”
(Ulmi, Kiarostami, Loach) [Volume 1, Issue 2, 2011, Pages 86-71]
-
Cultural Expression
Diasporic Art as a Means of Community Identity Construction [Volume 1, Issue 1, 2011, Pages 23-5]
-
Cultural inhabitancy
Music Perception and the Dominance of Social Inhabitancies over Music Training
School: Case of Western Music Performers Living in Iran [Volume 1, Issue 2, 2011, Pages 135-125]
-
Cut-out technique
The Influence of the Computers on the Aesthetics of Animation [Volume 1, Issue 2, 2011, Pages 100-87]
-
Cut-out technique
Effect of Cut-out Technique in Designing the Characters as well as
Movement in Iranian Animations [Volume 1, Issue 2, 2011, Pages 124-101]
D
-
Designing the characters
The Influence of the Computers on the Aesthetics of Animation [Volume 1, Issue 2, 2011, Pages 100-87]
-
Designing the characters
Effect of Cut-out Technique in Designing the Characters as well as
Movement in Iranian Animations [Volume 1, Issue 2, 2011, Pages 124-101]
-
Diaspora
Diasporic Art as a Means of Community Identity Construction [Volume 1, Issue 1, 2011, Pages 23-5]
-
Dominant
Anti-realism, Language, and the Dominant in Oleanna [Volume 1, Issue 1, 2011, Pages 47-33]
-
Drama
A Comparative Study on Accents in Periodic Actions of Drama and Music [Volume 1, Issue 1, 2011, Pages 106-93]
E
-
Epistemology
The Cinematic Representation of Reality in Two Approaches Phenomenology
and Metaphysics [Volume 1, Issue 2, 2011, Pages 55-39]
-
Exoticism
Diasporic Art as a Means of Community Identity Construction [Volume 1, Issue 1, 2011, Pages 23-5]
F
-
Film Narration
Narrative and Narration [Volume 1, Issue 1, 2011, Pages 32-25]
-
Film Narrative
Narrative and Narration [Volume 1, Issue 1, 2011, Pages 32-25]
-
Flashback
Voice-Over Narration and the Study of Its Functions in Fiction Films [Volume 1, Issue 2, 2011, Pages 70-55]
-
Focus 2
Windows of Focalization:
Study of “Windows of Focalization” of Narrator Mechanism in Movie, The
Hours by Stephen Daldry [Volume 1, Issue 1, 2011, Pages 76-65]
-
Folk Music
Compound Form in Folk Music of Iranian Culture [Volume 1, Issue 1, 2011, Pages 91-77]
G
-
Gender
Anti-realism, Language, and the Dominant in Oleanna [Volume 1, Issue 1, 2011, Pages 47-33]
H
-
Harold Pinter
Kant’s Aesthetics Theory and Beauty of “The Birthday Party” by Harold Pinter:
Applying the Subjective Theory of Immanuel Kant in Philosophical Aesthetics in
“The Birthday Party” as the Objective [Volume 1, Issue 2, 2011, Pages 19-5]
I
-
Immanuel Kant
Kant’s Aesthetics Theory and Beauty of “The Birthday Party” by Harold Pinter:
Applying the Subjective Theory of Immanuel Kant in Philosophical Aesthetics in
“The Birthday Party” as the Objective [Volume 1, Issue 2, 2011, Pages 19-5]
-
Immigration
Diasporic Art as a Means of Community Identity Construction [Volume 1, Issue 1, 2011, Pages 23-5]
-
Improvisation
From Improvisation to Performance [Volume 1, Issue 2, 2011, Pages 38-21]
-
Intercultural Studies
An Analysis of Unaccomplished Intercultural Relations in“Tickets’ Trilogy ”
(Ulmi, Kiarostami, Loach) [Volume 1, Issue 2, 2011, Pages 86-71]
-
Interdisciplinary music research
Music Perception and the Dominance of Social Inhabitancies over Music Training
School: Case of Western Music Performers Living in Iran [Volume 1, Issue 2, 2011, Pages 135-125]
-
Iranian animation
The Influence of the Computers on the Aesthetics of Animation [Volume 1, Issue 2, 2011, Pages 100-87]
-
Iranian animation
Effect of Cut-out Technique in Designing the Characters as well as
Movement in Iranian Animations [Volume 1, Issue 2, 2011, Pages 124-101]
-
Iranian Music
A Semiotic Analysis of Iranian Music in the Drama of Ta’ziyah [Volume 1, Issue 1, 2011, Pages 121-107]
J
-
Judgment of Taste
Kant’s Aesthetics Theory and Beauty of “The Birthday Party” by Harold Pinter:
Applying the Subjective Theory of Immanuel Kant in Philosophical Aesthetics in
“The Birthday Party” as the Objective [Volume 1, Issue 2, 2011, Pages 19-5]
L
-
Language
Anti-realism, Language, and the Dominant in Oleanna [Volume 1, Issue 1, 2011, Pages 47-33]
M
-
Metaphysical thought
The Cinematic Representation of Reality in Two Approaches Phenomenology
and Metaphysics [Volume 1, Issue 2, 2011, Pages 55-39]
-
Movements
The Influence of the Computers on the Aesthetics of Animation [Volume 1, Issue 2, 2011, Pages 100-87]
-
Movements
Effect of Cut-out Technique in Designing the Characters as well as
Movement in Iranian Animations [Volume 1, Issue 2, 2011, Pages 124-101]
-
Music
A Comparative Study on Accents in Periodic Actions of Drama and Music [Volume 1, Issue 1, 2011, Pages 106-93]
-
Music in different cultural contexts
Music Perception and the Dominance of Social Inhabitancies over Music Training
School: Case of Western Music Performers Living in Iran [Volume 1, Issue 2, 2011, Pages 135-125]
-
Music perception and culture
Music Perception and the Dominance of Social Inhabitancies over Music Training
School: Case of Western Music Performers Living in Iran [Volume 1, Issue 2, 2011, Pages 135-125]
N
-
Narrative
Voice-Over Narration and the Study of Its Functions in Fiction Films [Volume 1, Issue 2, 2011, Pages 70-55]
-
Narrative
Narrative and Narration [Volume 1, Issue 1, 2011, Pages 32-25]
-
Narrative
Windows of Focalization:
Study of “Windows of Focalization” of Narrator Mechanism in Movie, The
Hours by Stephen Daldry [Volume 1, Issue 1, 2011, Pages 76-65]
-
Narratology
Narrative and Narration [Volume 1, Issue 1, 2011, Pages 32-25]
-
Narrator
Voice-Over Narration and the Study of Its Functions in Fiction Films [Volume 1, Issue 2, 2011, Pages 70-55]
-
Narrator
Windows of Focalization:
Study of “Windows of Focalization” of Narrator Mechanism in Movie, The
Hours by Stephen Daldry [Volume 1, Issue 1, 2011, Pages 76-65]
-
Nowbat
Compound Form in Folk Music of Iranian Culture [Volume 1, Issue 1, 2011, Pages 91-77]
O
-
Ontology
The Cinematic Representation of Reality in Two Approaches Phenomenology
and Metaphysics [Volume 1, Issue 2, 2011, Pages 55-39]
P
-
Personality
Notes on Acting in Animation [Volume 1, Issue 1, 2011, Pages 64-49]
-
Phenomenology
The Cinematic Representation of Reality in Two Approaches Phenomenology
and Metaphysics [Volume 1, Issue 2, 2011, Pages 55-39]
-
Political Art
Diasporic Art as a Means of Community Identity Construction [Volume 1, Issue 1, 2011, Pages 23-5]
S
-
Skill
From Improvisation to Performance [Volume 1, Issue 2, 2011, Pages 38-21]
-
Stratificational Semiotics
A Semiotic Analysis of Iranian Music in the Drama of Ta’ziyah [Volume 1, Issue 1, 2011, Pages 121-107]
-
Suite
Compound Form in Folk Music of Iranian Culture [Volume 1, Issue 1, 2011, Pages 91-77]
T
-
Ta’ziyah
A Semiotic Analysis of Iranian Music in the Drama of Ta’ziyah [Volume 1, Issue 1, 2011, Pages 121-107]
-
Theatre
From Improvisation to Performance [Volume 1, Issue 2, 2011, Pages 38-21]
-
The Hours
Windows of Focalization:
Study of “Windows of Focalization” of Narrator Mechanism in Movie, The
Hours by Stephen Daldry [Volume 1, Issue 1, 2011, Pages 76-65]
-
The performer
From Improvisation to Performance [Volume 1, Issue 2, 2011, Pages 38-21]
-
Tickets (2005)
An Analysis of Unaccomplished Intercultural Relations in“Tickets’ Trilogy ”
(Ulmi, Kiarostami, Loach) [Volume 1, Issue 2, 2011, Pages 86-71]
-
Tragic
Anti-realism, Language, and the Dominant in Oleanna [Volume 1, Issue 1, 2011, Pages 47-33]
V
-
Voice over narration
Voice-Over Narration and the Study of Its Functions in Fiction Films [Volume 1, Issue 2, 2011, Pages 70-55]
W
-
Western
music in the East
Music Perception and the Dominance of Social Inhabitancies over Music Training
School: Case of Western Music Performers Living in Iran [Volume 1, Issue 2, 2011, Pages 135-125]
-
Windows of Focalization
Windows of Focalization:
Study of “Windows of Focalization” of Narrator Mechanism in Movie, The
Hours by Stephen Daldry [Volume 1, Issue 1, 2011, Pages 76-65]
-
World Cinema
An Analysis of Unaccomplished Intercultural Relations in“Tickets’ Trilogy ”
(Ulmi, Kiarostami, Loach) [Volume 1, Issue 2, 2011, Pages 86-71]
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