Keyword Index

A

  • Acting The Study of 12 Bassic Principles in Acting for Animation [Volume 2, Issue 3, 2012, Pages 99-81]
  • Analog Cinema The Position of Reality in Transition from the Analog Movie to the Digital one [Volume 2, Issue 4, 2012, Pages 68-55]
  • Animated film A Comparative Study and Analysis of the Operational Management Factors between Animation and Live-action Films (From a Director’s Standpoint) [Volume 2, Issue 3, 2012, Pages 118-99]
  • Animation The Study of 12 Bassic Principles in Acting for Animation [Volume 2, Issue 3, 2012, Pages 99-81]
  • Antonin Artaud Derrida’s Silence or Performative Avoidance: a Reflection on Theoretical Distance of Antonin Artaud and Samuel Beketts’ Theatre [Volume 2, Issue 4, 2012, Pages 53-37]
  • Archaeological documentary films Analyses of ArchaeoIranology Documentary Film of Iran [Volume 2, Issue 4, 2012, Pages 99-83]
  • Archaeology Analyses of ArchaeoIranology Documentary Film of Iran [Volume 2, Issue 4, 2012, Pages 99-83]

C

  • Character The Study of 12 Bassic Principles in Acting for Animation [Volume 2, Issue 3, 2012, Pages 99-81]
  • Cinema The Study of 12 Bassic Principles in Acting for Animation [Volume 2, Issue 3, 2012, Pages 99-81]
  • Classical Music Toward a New Theory for Popular Music [Volume 2, Issue 3, 2012, Pages 132-119]
  • Comedy The Birth of Tragedy from the Spirit of Satire: Identity and Genre in Najaf-Bay Vazirov’s Dramas [Volume 2, Issue 4, 2012, Pages 22-5]
  • Cultural difference The Comparative Study of Iranian Spiritual Cinema from Two Main Approaches: Nativism and Orientalism (Case Studies: Life and Nothing More, The Color of Paradise, So Close So Far) [Volume 2, Issue 3, 2012, Pages 34-19]
  • Cultural Semiotics A Comparative Analysis between Two Translations of Shakespeare’s Othello with Cultural Semiotics Point of View [Volume 2, Issue 4, 2012, Pages 36-23]
  • Culture The Survey Aspects of Performance, in The Dramatic Rituals of People Living in Komijan Region, Iran [Volume 2, Issue 3, 2012, Pages 17-5]
  • Culture A Comparative Analysis between Two Translations of Shakespeare’s Othello with Cultural Semiotics Point of View [Volume 2, Issue 4, 2012, Pages 36-23]

D

  • Deconstruction Derrida’s Silence or Performative Avoidance: a Reflection on Theoretical Distance of Antonin Artaud and Samuel Beketts’ Theatre [Volume 2, Issue 4, 2012, Pages 53-37]
  • Digital Cinema The Position of Reality in Transition from the Analog Movie to the Digital one [Volume 2, Issue 4, 2012, Pages 68-55]
  • Directing A Comparative Study and Analysis of the Operational Management Factors between Animation and Live-action Films (From a Director’s Standpoint) [Volume 2, Issue 3, 2012, Pages 118-99]
  • Documentary films Analyses of ArchaeoIranology Documentary Film of Iran [Volume 2, Issue 4, 2012, Pages 99-83]
  • Drama The Survey Aspects of Performance, in The Dramatic Rituals of People Living in Komijan Region, Iran [Volume 2, Issue 3, 2012, Pages 17-5]

F

  • Female musicians and dancers Female Musicians of the Safavid Period in Persian Miniatures [Volume 2, Issue 4, 2012, Pages 132-115]
  • Film studies Studying of Lacan`s Concepts in “Sahereh” [Volume 2, Issue 3, 2012, Pages 46-35]

G

  • Genre The Birth of Tragedy from the Spirit of Satire: Identity and Genre in Najaf-Bay Vazirov’s Dramas [Volume 2, Issue 4, 2012, Pages 22-5]

H

I

  • Iran The State of Expressing Islamic Mystical themes in Iranian Traditional Music [Volume 2, Issue 4, 2012, Pages 113-101]
  • Iranian spiritual cinema The Comparative Study of Iranian Spiritual Cinema from Two Main Approaches: Nativism and Orientalism (Case Studies: Life and Nothing More, The Color of Paradise, So Close So Far) [Volume 2, Issue 3, 2012, Pages 34-19]
  • Islamic art The Islamic Art Functionalities in Music Video Based upon the Sample Analysis of Two Iranian Videos [Volume 2, Issue 3, 2012, Pages 80-63]
  • Islamic Mysticism The State of Expressing Islamic Mystical themes in Iranian Traditional Music [Volume 2, Issue 4, 2012, Pages 113-101]

J

  • Jacques Derrida Derrida’s Silence or Performative Avoidance: a Reflection on Theoretical Distance of Antonin Artaud and Samuel Beketts’ Theatre [Volume 2, Issue 4, 2012, Pages 53-37]

K

  • Komijan The Survey Aspects of Performance, in The Dramatic Rituals of People Living in Komijan Region, Iran [Volume 2, Issue 3, 2012, Pages 17-5]

L

  • Lacan Studying of Lacan`s Concepts in “Sahereh” [Volume 2, Issue 3, 2012, Pages 46-35]
  • Lacan The Birth of Tragedy from the Spirit of Satire: Identity and Genre in Najaf-Bay Vazirov’s Dramas [Volume 2, Issue 4, 2012, Pages 22-5]
  • Lacan`s concepts Studying of Lacan`s Concepts in “Sahereh” [Volume 2, Issue 3, 2012, Pages 46-35]
  • Life and Nothing More The Comparative Study of Iranian Spiritual Cinema from Two Main Approaches: Nativism and Orientalism (Case Studies: Life and Nothing More, The Color of Paradise, So Close So Far) [Volume 2, Issue 3, 2012, Pages 34-19]
  • Line of Fiction New Temporal Structures in Film: An Approach to Network Narrative [Volume 2, Issue 4, 2012, Pages 82-69]
  • Live-action film A Comparative Study and Analysis of the Operational Management Factors between Animation and Live-action Films (From a Director’s Standpoint) [Volume 2, Issue 3, 2012, Pages 118-99]

M

  • Meso music Toward a New Theory for Popular Music [Volume 2, Issue 3, 2012, Pages 132-119]
  • Music Female Musicians of the Safavid Period in Persian Miniatures [Volume 2, Issue 4, 2012, Pages 132-115]
  • Music video The Islamic Art Functionalities in Music Video Based upon the Sample Analysis of Two Iranian Videos [Volume 2, Issue 3, 2012, Pages 80-63]

N

  • Najaf Bey Vazirov The Birth of Tragedy from the Spirit of Satire: Identity and Genre in Najaf-Bay Vazirov’s Dramas [Volume 2, Issue 4, 2012, Pages 22-5]
  • Narrative of film New Temporal Structures in Film: An Approach to Network Narrative [Volume 2, Issue 4, 2012, Pages 82-69]
  • Nativism The Comparative Study of Iranian Spiritual Cinema from Two Main Approaches: Nativism and Orientalism (Case Studies: Life and Nothing More, The Color of Paradise, So Close So Far) [Volume 2, Issue 3, 2012, Pages 34-19]
  • Network Narrative of Film New Temporal Structures in Film: An Approach to Network Narrative [Volume 2, Issue 4, 2012, Pages 82-69]
  • New Temporal Structure New Temporal Structures in Film: An Approach to Network Narrative [Volume 2, Issue 4, 2012, Pages 82-69]

O

  • Orientalism The Comparative Study of Iranian Spiritual Cinema from Two Main Approaches: Nativism and Orientalism (Case Studies: Life and Nothing More, The Color of Paradise, So Close So Far) [Volume 2, Issue 3, 2012, Pages 34-19]
  • Othello A Comparative Analysis between Two Translations of Shakespeare’s Othello with Cultural Semiotics Point of View [Volume 2, Issue 4, 2012, Pages 36-23]

P

  • Performing women The Survey Aspects of Performance, in The Dramatic Rituals of People Living in Komijan Region, Iran [Volume 2, Issue 3, 2012, Pages 17-5]
  • Persian miniature Female Musicians of the Safavid Period in Persian Miniatures [Volume 2, Issue 4, 2012, Pages 132-115]
  • Persian Original Music The State of Expressing Islamic Mystical themes in Iranian Traditional Music [Volume 2, Issue 4, 2012, Pages 113-101]
  • Personal Accent A Comparative Analysis between Two Translations of Shakespeare’s Othello with Cultural Semiotics Point of View [Volume 2, Issue 4, 2012, Pages 36-23]
  • Phenomenology of film A Hermeneutic-Phenomenological Approach to the Cinema [Volume 2, Issue 3, 2012, Pages 62-47]
  • Philosophy and Theatre Derrida’s Silence or Performative Avoidance: a Reflection on Theoretical Distance of Antonin Artaud and Samuel Beketts’ Theatre [Volume 2, Issue 4, 2012, Pages 53-37]
  • Philosophy of film A Hermeneutic-Phenomenological Approach to the Cinema [Volume 2, Issue 3, 2012, Pages 62-47]
  • Phsychoanalytic Studying of Lacan`s Concepts in “Sahereh” [Volume 2, Issue 3, 2012, Pages 46-35]
  • Popular Music Toward a New Theory for Popular Music [Volume 2, Issue 3, 2012, Pages 132-119]
  • Post Structuralism The Position of Reality in Transition from the Analog Movie to the Digital one [Volume 2, Issue 4, 2012, Pages 68-55]
  • POV New Temporal Structures in Film: An Approach to Network Narrative [Volume 2, Issue 4, 2012, Pages 82-69]
  • Production factors A Comparative Study and Analysis of the Operational Management Factors between Animation and Live-action Films (From a Director’s Standpoint) [Volume 2, Issue 3, 2012, Pages 118-99]
  • Production stages A Comparative Study and Analysis of the Operational Management Factors between Animation and Live-action Films (From a Director’s Standpoint) [Volume 2, Issue 3, 2012, Pages 118-99]

Q

  • Queen of the House The Survey Aspects of Performance, in The Dramatic Rituals of People Living in Komijan Region, Iran [Volume 2, Issue 3, 2012, Pages 17-5]

R

  • Reality The Position of Reality in Transition from the Analog Movie to the Digital one [Volume 2, Issue 4, 2012, Pages 68-55]
  • Ritual The Survey Aspects of Performance, in The Dramatic Rituals of People Living in Komijan Region, Iran [Volume 2, Issue 3, 2012, Pages 17-5]

S

  • Safavid period Female Musicians of the Safavid Period in Persian Miniatures [Volume 2, Issue 4, 2012, Pages 132-115]
  • Sahereh Studying of Lacan`s Concepts in “Sahereh” [Volume 2, Issue 3, 2012, Pages 46-35]
  • Samuel Beckett Derrida’s Silence or Performative Avoidance: a Reflection on Theoretical Distance of Antonin Artaud and Samuel Beketts’ Theatre [Volume 2, Issue 4, 2012, Pages 53-37]
  • Satire The Birth of Tragedy from the Spirit of Satire: Identity and Genre in Najaf-Bay Vazirov’s Dramas [Volume 2, Issue 4, 2012, Pages 22-5]
  • Semiotics The Position of Reality in Transition from the Analog Movie to the Digital one [Volume 2, Issue 4, 2012, Pages 68-55]
  • So Close So Far The Comparative Study of Iranian Spiritual Cinema from Two Main Approaches: Nativism and Orientalism (Case Studies: Life and Nothing More, The Color of Paradise, So Close So Far) [Volume 2, Issue 3, 2012, Pages 34-19]

T

  • Taqtuqa Toward a New Theory for Popular Music [Volume 2, Issue 3, 2012, Pages 132-119]
  • Tasnif Toward a New Theory for Popular Music [Volume 2, Issue 3, 2012, Pages 132-119]
  • Theater The Study of 12 Bassic Principles in Acting for Animation [Volume 2, Issue 3, 2012, Pages 99-81]
  • The Color of Paradise The Comparative Study of Iranian Spiritual Cinema from Two Main Approaches: Nativism and Orientalism (Case Studies: Life and Nothing More, The Color of Paradise, So Close So Far) [Volume 2, Issue 3, 2012, Pages 34-19]
  • Theory and Criticism Derrida’s Silence or Performative Avoidance: a Reflection on Theoretical Distance of Antonin Artaud and Samuel Beketts’ Theatre [Volume 2, Issue 4, 2012, Pages 53-37]
  • Theosophical art The Islamic Art Functionalities in Music Video Based upon the Sample Analysis of Two Iranian Videos [Volume 2, Issue 3, 2012, Pages 80-63]
  • Time of Narrative New Temporal Structures in Film: An Approach to Network Narrative [Volume 2, Issue 4, 2012, Pages 82-69]
  • Translation A Comparative Analysis between Two Translations of Shakespeare’s Othello with Cultural Semiotics Point of View [Volume 2, Issue 4, 2012, Pages 36-23]

W

  • World A Hermeneutic-Phenomenological Approach to the Cinema [Volume 2, Issue 3, 2012, Pages 62-47]