A
-
Acting
The Study of 12 Bassic Principles in Acting for Animation [Volume 2, Issue 3, 2012, Pages 99-81]
-
Analog Cinema
The Position of Reality in Transition from the Analog Movie to the Digital one [Volume 2, Issue 4, 2012, Pages 68-55]
-
Animated film
A Comparative Study and Analysis of the Operational Management Factors
between Animation and Live-action Films (From a Director’s Standpoint) [Volume 2, Issue 3, 2012, Pages 118-99]
-
Animation
The Study of 12 Bassic Principles in Acting for Animation [Volume 2, Issue 3, 2012, Pages 99-81]
-
Antonin Artaud
Derrida’s Silence or Performative Avoidance: a Reflection on Theoretical
Distance of Antonin Artaud and Samuel Beketts’ Theatre [Volume 2, Issue 4, 2012, Pages 53-37]
-
Archaeological documentary films
Analyses of ArchaeoIranology Documentary Film of Iran [Volume 2, Issue 4, 2012, Pages 99-83]
-
Archaeology
Analyses of ArchaeoIranology Documentary Film of Iran [Volume 2, Issue 4, 2012, Pages 99-83]
C
-
Character
The Study of 12 Bassic Principles in Acting for Animation [Volume 2, Issue 3, 2012, Pages 99-81]
-
Cinema
The Study of 12 Bassic Principles in Acting for Animation [Volume 2, Issue 3, 2012, Pages 99-81]
-
Classical Music
Toward a New Theory for Popular Music [Volume 2, Issue 3, 2012, Pages 132-119]
-
Comedy
The Birth of Tragedy from the Spirit of Satire: Identity and Genre in Najaf-Bay
Vazirov’s Dramas [Volume 2, Issue 4, 2012, Pages 22-5]
-
Cultural difference
The Comparative Study of Iranian Spiritual Cinema from Two Main
Approaches: Nativism and Orientalism (Case Studies: Life and Nothing More,
The Color of Paradise, So Close So Far) [Volume 2, Issue 3, 2012, Pages 34-19]
-
Cultural Semiotics
A Comparative Analysis between Two Translations of Shakespeare’s Othello with
Cultural Semiotics Point of View [Volume 2, Issue 4, 2012, Pages 36-23]
-
Culture
The Survey Aspects of Performance, in The Dramatic Rituals of People
Living in Komijan Region, Iran [Volume 2, Issue 3, 2012, Pages 17-5]
-
Culture
A Comparative Analysis between Two Translations of Shakespeare’s Othello with
Cultural Semiotics Point of View [Volume 2, Issue 4, 2012, Pages 36-23]
D
-
Deconstruction
Derrida’s Silence or Performative Avoidance: a Reflection on Theoretical
Distance of Antonin Artaud and Samuel Beketts’ Theatre [Volume 2, Issue 4, 2012, Pages 53-37]
-
Digital Cinema
The Position of Reality in Transition from the Analog Movie to the Digital one [Volume 2, Issue 4, 2012, Pages 68-55]
-
Directing
A Comparative Study and Analysis of the Operational Management Factors
between Animation and Live-action Films (From a Director’s Standpoint) [Volume 2, Issue 3, 2012, Pages 118-99]
-
Documentary films
Analyses of ArchaeoIranology Documentary Film of Iran [Volume 2, Issue 4, 2012, Pages 99-83]
-
Drama
The Survey Aspects of Performance, in The Dramatic Rituals of People
Living in Komijan Region, Iran [Volume 2, Issue 3, 2012, Pages 17-5]
F
-
Female musicians and dancers
Female Musicians of the Safavid Period in Persian Miniatures [Volume 2, Issue 4, 2012, Pages 132-115]
-
Film studies
Studying of Lacan`s Concepts in “Sahereh” [Volume 2, Issue 3, 2012, Pages 46-35]
G
-
Genre
The Birth of Tragedy from the Spirit of Satire: Identity and Genre in Najaf-Bay
Vazirov’s Dramas [Volume 2, Issue 4, 2012, Pages 22-5]
I
-
Iran
The State of Expressing Islamic Mystical themes in Iranian Traditional Music [Volume 2, Issue 4, 2012, Pages 113-101]
-
Iranian spiritual cinema
The Comparative Study of Iranian Spiritual Cinema from Two Main
Approaches: Nativism and Orientalism (Case Studies: Life and Nothing More,
The Color of Paradise, So Close So Far) [Volume 2, Issue 3, 2012, Pages 34-19]
-
Islamic art
The Islamic Art Functionalities in Music Video Based upon the Sample
Analysis of Two Iranian Videos [Volume 2, Issue 3, 2012, Pages 80-63]
-
Islamic Mysticism
The State of Expressing Islamic Mystical themes in Iranian Traditional Music [Volume 2, Issue 4, 2012, Pages 113-101]
J
-
Jacques Derrida
Derrida’s Silence or Performative Avoidance: a Reflection on Theoretical
Distance of Antonin Artaud and Samuel Beketts’ Theatre [Volume 2, Issue 4, 2012, Pages 53-37]
K
-
Komijan
The Survey Aspects of Performance, in The Dramatic Rituals of People
Living in Komijan Region, Iran [Volume 2, Issue 3, 2012, Pages 17-5]
L
-
Lacan
Studying of Lacan`s Concepts in “Sahereh” [Volume 2, Issue 3, 2012, Pages 46-35]
-
Lacan
The Birth of Tragedy from the Spirit of Satire: Identity and Genre in Najaf-Bay
Vazirov’s Dramas [Volume 2, Issue 4, 2012, Pages 22-5]
-
Lacan`s concepts
Studying of Lacan`s Concepts in “Sahereh” [Volume 2, Issue 3, 2012, Pages 46-35]
-
Life and Nothing More
The Comparative Study of Iranian Spiritual Cinema from Two Main
Approaches: Nativism and Orientalism (Case Studies: Life and Nothing More,
The Color of Paradise, So Close So Far) [Volume 2, Issue 3, 2012, Pages 34-19]
-
Line of Fiction
New Temporal Structures in Film: An Approach to Network Narrative [Volume 2, Issue 4, 2012, Pages 82-69]
-
Live-action film
A Comparative Study and Analysis of the Operational Management Factors
between Animation and Live-action Films (From a Director’s Standpoint) [Volume 2, Issue 3, 2012, Pages 118-99]
M
-
Meso music
Toward a New Theory for Popular Music [Volume 2, Issue 3, 2012, Pages 132-119]
-
Music
Female Musicians of the Safavid Period in Persian Miniatures [Volume 2, Issue 4, 2012, Pages 132-115]
-
Music video
The Islamic Art Functionalities in Music Video Based upon the Sample
Analysis of Two Iranian Videos [Volume 2, Issue 3, 2012, Pages 80-63]
N
-
Najaf Bey Vazirov
The Birth of Tragedy from the Spirit of Satire: Identity and Genre in Najaf-Bay
Vazirov’s Dramas [Volume 2, Issue 4, 2012, Pages 22-5]
-
Narrative of film
New Temporal Structures in Film: An Approach to Network Narrative [Volume 2, Issue 4, 2012, Pages 82-69]
-
Nativism
The Comparative Study of Iranian Spiritual Cinema from Two Main
Approaches: Nativism and Orientalism (Case Studies: Life and Nothing More,
The Color of Paradise, So Close So Far) [Volume 2, Issue 3, 2012, Pages 34-19]
-
Network Narrative of Film
New Temporal Structures in Film: An Approach to Network Narrative [Volume 2, Issue 4, 2012, Pages 82-69]
-
New Temporal Structure
New Temporal Structures in Film: An Approach to Network Narrative [Volume 2, Issue 4, 2012, Pages 82-69]
O
-
Orientalism
The Comparative Study of Iranian Spiritual Cinema from Two Main
Approaches: Nativism and Orientalism (Case Studies: Life and Nothing More,
The Color of Paradise, So Close So Far) [Volume 2, Issue 3, 2012, Pages 34-19]
-
Othello
A Comparative Analysis between Two Translations of Shakespeare’s Othello with
Cultural Semiotics Point of View [Volume 2, Issue 4, 2012, Pages 36-23]
P
-
Performing women
The Survey Aspects of Performance, in The Dramatic Rituals of People
Living in Komijan Region, Iran [Volume 2, Issue 3, 2012, Pages 17-5]
-
Persian miniature
Female Musicians of the Safavid Period in Persian Miniatures [Volume 2, Issue 4, 2012, Pages 132-115]
-
Persian Original Music
The State of Expressing Islamic Mystical themes in Iranian Traditional Music [Volume 2, Issue 4, 2012, Pages 113-101]
-
Personal Accent
A Comparative Analysis between Two Translations of Shakespeare’s Othello with
Cultural Semiotics Point of View [Volume 2, Issue 4, 2012, Pages 36-23]
-
Phenomenology of film
A Hermeneutic-Phenomenological Approach to the Cinema [Volume 2, Issue 3, 2012, Pages 62-47]
-
Philosophy and Theatre
Derrida’s Silence or Performative Avoidance: a Reflection on Theoretical
Distance of Antonin Artaud and Samuel Beketts’ Theatre [Volume 2, Issue 4, 2012, Pages 53-37]
-
Philosophy of film
A Hermeneutic-Phenomenological Approach to the Cinema [Volume 2, Issue 3, 2012, Pages 62-47]
-
Phsychoanalytic
Studying of Lacan`s Concepts in “Sahereh” [Volume 2, Issue 3, 2012, Pages 46-35]
-
Popular Music
Toward a New Theory for Popular Music [Volume 2, Issue 3, 2012, Pages 132-119]
-
Post Structuralism
The Position of Reality in Transition from the Analog Movie to the Digital one [Volume 2, Issue 4, 2012, Pages 68-55]
-
POV
New Temporal Structures in Film: An Approach to Network Narrative [Volume 2, Issue 4, 2012, Pages 82-69]
-
Production factors
A Comparative Study and Analysis of the Operational Management Factors
between Animation and Live-action Films (From a Director’s Standpoint) [Volume 2, Issue 3, 2012, Pages 118-99]
-
Production stages
A Comparative Study and Analysis of the Operational Management Factors
between Animation and Live-action Films (From a Director’s Standpoint) [Volume 2, Issue 3, 2012, Pages 118-99]
Q
-
Queen of the House
The Survey Aspects of Performance, in The Dramatic Rituals of People
Living in Komijan Region, Iran [Volume 2, Issue 3, 2012, Pages 17-5]
R
-
Reality
The Position of Reality in Transition from the Analog Movie to the Digital one [Volume 2, Issue 4, 2012, Pages 68-55]
-
Ritual
The Survey Aspects of Performance, in The Dramatic Rituals of People
Living in Komijan Region, Iran [Volume 2, Issue 3, 2012, Pages 17-5]
S
-
Safavid period
Female Musicians of the Safavid Period in Persian Miniatures [Volume 2, Issue 4, 2012, Pages 132-115]
-
Sahereh
Studying of Lacan`s Concepts in “Sahereh” [Volume 2, Issue 3, 2012, Pages 46-35]
-
Samuel Beckett
Derrida’s Silence or Performative Avoidance: a Reflection on Theoretical
Distance of Antonin Artaud and Samuel Beketts’ Theatre [Volume 2, Issue 4, 2012, Pages 53-37]
-
Satire
The Birth of Tragedy from the Spirit of Satire: Identity and Genre in Najaf-Bay
Vazirov’s Dramas [Volume 2, Issue 4, 2012, Pages 22-5]
-
Semiotics
The Position of Reality in Transition from the Analog Movie to the Digital one [Volume 2, Issue 4, 2012, Pages 68-55]
-
So Close So Far
The Comparative Study of Iranian Spiritual Cinema from Two Main
Approaches: Nativism and Orientalism (Case Studies: Life and Nothing More,
The Color of Paradise, So Close So Far) [Volume 2, Issue 3, 2012, Pages 34-19]
T
-
Taqtuqa
Toward a New Theory for Popular Music [Volume 2, Issue 3, 2012, Pages 132-119]
-
Tasnif
Toward a New Theory for Popular Music [Volume 2, Issue 3, 2012, Pages 132-119]
-
Theater
The Study of 12 Bassic Principles in Acting for Animation [Volume 2, Issue 3, 2012, Pages 99-81]
-
The
Color of Paradise
The Comparative Study of Iranian Spiritual Cinema from Two Main
Approaches: Nativism and Orientalism (Case Studies: Life and Nothing More,
The Color of Paradise, So Close So Far) [Volume 2, Issue 3, 2012, Pages 34-19]
-
Theory and Criticism
Derrida’s Silence or Performative Avoidance: a Reflection on Theoretical
Distance of Antonin Artaud and Samuel Beketts’ Theatre [Volume 2, Issue 4, 2012, Pages 53-37]
-
Theosophical art
The Islamic Art Functionalities in Music Video Based upon the Sample
Analysis of Two Iranian Videos [Volume 2, Issue 3, 2012, Pages 80-63]
-
Time of Narrative
New Temporal Structures in Film: An Approach to Network Narrative [Volume 2, Issue 4, 2012, Pages 82-69]
-
Translation
A Comparative Analysis between Two Translations of Shakespeare’s Othello with
Cultural Semiotics Point of View [Volume 2, Issue 4, 2012, Pages 36-23]
W
-
World
A Hermeneutic-Phenomenological Approach to the Cinema [Volume 2, Issue 3, 2012, Pages 62-47]
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