A
-
Alavipour, Seyedmohsen
Iranian Cinema as a Vehicle for Political Thinking: from 1953 to 1979 [Volume 10, Issue 20, 2020, Pages 51-68]
-
Alirezaei, Ehsan
True West and Its Relation with the American Dream [Volume 10, Issue 20, 2020, Pages 21-34]
-
Azadehfar, Mohammadreza
Study of Tahrir Patterns in Radif of Iranian Classical Music – According to Mohammadreza Shajarian Performance [Volume 10, Issue 20, 2020, Pages 89-101]
B
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Bahrani, Sarah
Analysis of Musician’s Images and Instrument Oud on a Potteries and Metal
Works in Seljuki Era [Volume 10, Issue 19, 2020, Pages 117-126]
D
-
Diba, Darab
How Tehran reflects in cinematographic works of before the Islamic Revolution From the perspective of sociology of art [Volume 10, Issue 20, 2020, Pages 35-50]
K
-
Khalili, Marzieh
The Analysis and Study of Spaces of Kiarostami’s Cinema from the Viewpoint of
Genius Loci with the Phenomenology Framework of Christian Norberg-Schulz [Volume 10, Issue 19, 2020, Pages 53-65]
M
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Mokhtabad, seyed Mostafa
How Tehran reflects in cinematographic works of before the Islamic Revolution From the perspective of sociology of art [Volume 10, Issue 20, 2020, Pages 35-50]
-
Montakhabi Bakhtvar, Narges
The Common and Postmodern Identity: A Sociological Study of “Open Theater” in America [Volume 10, Issue 19, 2020, Pages 21-39]
-
Moosavi, Vahid A,
Style and Genre in the Iranian Art Cinema
(Case Studies: Brick and Mirror, Siavash in Persepolis, Still Life, and Requiem) [Volume 10, Issue 19, 2020, Pages 83-99]
N
-
Nobakht, Toktam
Postcolonial Analysis of Milan Kundera’s Works Focusing on the Play the
Owner of the Keys [Volume 10, Issue 19, 2020, Pages 39-53]
P
-
Parvizi, Fariba
The Common and Postmodern Identity: A Sociological Study of “Open Theater” in America [Volume 10, Issue 19, 2020, Pages 21-39]
R
-
RAVANSHADNIA, SOMAYEH
How Tehran reflects in cinematographic works of before the Islamic Revolution From the perspective of sociology of art [Volume 10, Issue 20, 2020, Pages 35-50]
-
Rouhani, Ali
Style and Genre in the Iranian Art Cinema
(Case Studies: Brick and Mirror, Siavash in Persepolis, Still Life, and Requiem) [Volume 10, Issue 19, 2020, Pages 83-99]
S
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Sami, Sepideh
Comparative Analysis of Taxi Driver and Apocalypse Now Movies Based on
the Concept of Violence in Foucault’s Discourse [Volume 10, Issue 19, 2020, Pages 67-81]
-
Shahba, Mohammad
Style and Genre in the Iranian Art Cinema
(Case Studies: Brick and Mirror, Siavash in Persepolis, Still Life, and Requiem) [Volume 10, Issue 19, 2020, Pages 83-99]
T
-
Tondi, Ahmad
Analysis of Musician’s Images and Instrument Oud on a Potteries and Metal
Works in Seljuki Era [Volume 10, Issue 19, 2020, Pages 117-126]
Y
-
Yousefian Kenari, Mohammad Jafar
Structural Analysis of Dramatic Plot Form
Case Studies: Haulakhani (Naghmeh Samini) and Kabutari Nagahan (Mohmad Charmshir) [Volume 10, Issue 20, 2020, Pages 5-20]
Z
-
Zabhifar, Ehsan
Analysis of Musician’s Images and Instrument Oud on a Potteries and Metal
Works in Seljuki Era [Volume 10, Issue 19, 2020, Pages 117-126]
-
Zargar, Shahram
Influence of Machiavellian Teachings on Shakespeare in Characterization of the
Royal Progeny Characters in Hamlet [Volume 10, Issue 19, 2020, Pages 5-21]
-
Zeynali, Mohammadreza
The Playing Style of the Master Hassan Kasaei [Volume 10, Issue 19, 2020, Pages 101-115]
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