Author Index

A

  • Alavipour, Seyedmohsen Iranian Cinema as a Vehicle for Political Thinking: from 1953 to 1979 [Volume 10, Issue 20, 2020, Pages 51-68]
  • Alirezaei, Ehsan True West and Its Relation with the American Dream [Volume 10, Issue 20, 2020, Pages 21-34]
  • Azadehfar, Mohammadreza Study of Tahrir Patterns in Radif of Iranian Classical Music – According to Mohammadreza Shajarian Performance [Volume 10, Issue 20, 2020, Pages 89-101]

B

  • Bahrani, Sarah Analysis of Musician’s Images and Instrument Oud on a Potteries and Metal Works in Seljuki Era [Volume 10, Issue 19, 2020, Pages 117-126]

D

  • Diba, Darab How Tehran reflects in cinematographic works of before the Islamic Revolution From the perspective of sociology of art [Volume 10, Issue 20, 2020, Pages 35-50]

K

  • Khalili, Marzieh The Analysis and Study of Spaces of Kiarostami’s Cinema from the Viewpoint of Genius Loci with the Phenomenology Framework of Christian Norberg-Schulz [Volume 10, Issue 19, 2020, Pages 53-65]

M

  • Mokhtabad, seyed Mostafa How Tehran reflects in cinematographic works of before the Islamic Revolution From the perspective of sociology of art [Volume 10, Issue 20, 2020, Pages 35-50]
  • Montakhabi Bakhtvar, Narges The Common and Postmodern Identity: A Sociological Study of “Open Theater” in America [Volume 10, Issue 19, 2020, Pages 21-39]
  • Moosavi, Vahid A, Style and Genre in the Iranian Art Cinema (Case Studies: Brick and Mirror, Siavash in Persepolis, Still Life, and Requiem) [Volume 10, Issue 19, 2020, Pages 83-99]

N

  • Nobakht, Toktam Postcolonial Analysis of Milan Kundera’s Works Focusing on the Play the Owner of the Keys [Volume 10, Issue 19, 2020, Pages 39-53]

P

  • Parvizi, Fariba The Common and Postmodern Identity: A Sociological Study of “Open Theater” in America [Volume 10, Issue 19, 2020, Pages 21-39]

R

  • RAVANSHADNIA, SOMAYEH How Tehran reflects in cinematographic works of before the Islamic Revolution From the perspective of sociology of art [Volume 10, Issue 20, 2020, Pages 35-50]
  • Rouhani, Ali Style and Genre in the Iranian Art Cinema (Case Studies: Brick and Mirror, Siavash in Persepolis, Still Life, and Requiem) [Volume 10, Issue 19, 2020, Pages 83-99]

S

  • Sami, Sepideh Comparative Analysis of Taxi Driver and Apocalypse Now Movies Based on the Concept of Violence in Foucault’s Discourse [Volume 10, Issue 19, 2020, Pages 67-81]
  • Shahba, Mohammad Style and Genre in the Iranian Art Cinema (Case Studies: Brick and Mirror, Siavash in Persepolis, Still Life, and Requiem) [Volume 10, Issue 19, 2020, Pages 83-99]

T

  • Tondi, Ahmad Analysis of Musician’s Images and Instrument Oud on a Potteries and Metal Works in Seljuki Era [Volume 10, Issue 19, 2020, Pages 117-126]

Y

  • Yousefian Kenari, Mohammad Jafar Structural Analysis of Dramatic Plot Form Case Studies: Haulakhani (Naghmeh Samini) and Kabutari Nagahan (Mohmad Charmshir) [Volume 10, Issue 20, 2020, Pages 5-20]

Z

  • Zabhifar, Ehsan Analysis of Musician’s Images and Instrument Oud on a Potteries and Metal Works in Seljuki Era [Volume 10, Issue 19, 2020, Pages 117-126]
  • Zargar, Shahram Influence of Machiavellian Teachings on Shakespeare in Characterization of the Royal Progeny Characters in Hamlet [Volume 10, Issue 19, 2020, Pages 5-21]
  • Zeynali, Mohammadreza The Playing Style of the Master Hassan Kasaei [Volume 10, Issue 19, 2020, Pages 101-115]