نوع مقاله : مقاله پژوهشی
نویسندگان
1 گروه تخصصی هنر دانشکده عمران، معماری و هنر دانشگاه آزاد اسلامی واحد علوم و تحقیقات تهران
2 استاد گروه زبان فرانسه،دانشگاه تربیت‌مدرس
3 دانشکده عمران، هنر و معماری/دانشگاه آزاد اسلامی، واحد علوم و تحقیقات
چکیده
کلیدواژه‌ها
عنوان مقاله [English]
نویسندگان [English]
The discourse point of view with the sign-semantic approach believes that linguistic productions are subject to a complex process in which many semantic sign factors are involved; Therefore, what the language says, the image expresses in the form of shape. That is, the world is meaningful and there is no form that does not have meaning because the surrounding world has structures consisting of forms and shapes and these forms imply a meaning; Therefore, there is no separation between language and art, and art is like language, as a result, art acts as a medium and a discourse, and it is also a messenger and a communicator. Discourse, as an effective procedure, includes the formation of different areas such as politics, therefore, political discourse is determined as one of the results of politics in a historical and cultural context (based on power, ideology, and identity). Thus, a political discourse, by becoming dominant in any era, will be able to influence existing political, cultural, social and economic structures, so discourse systems create different dimensions of semantic signs in artistic texts, and these visual media, such as movie posters, As a part of society's culture, they are affected by social-political conditions, especially the prevailing political discourses. The present research, based on library and audio-visual sources, and with an emphasis on the approach and method of semantic signification and explanation of the discourse systems governing the visual space, tries to answer these questions, with what elements are these discursive and semantic systems shown in the movie posters of "Red" and "Under the Moonlight"? And how the process of narrative and semantic system of proposed movie posters has been formed under the influence of dominant political discourses? The findings of this research indicate that by explaining the meaning of the discourse systems in these movie posters, it is possible to determine the degree of influence of modern discourse (reformist) and classical discourse (fundamentalist) and in order to be influenced by political discourses in the society, in They sometimes decrease the clarity of discourse and sometimes the discourse systems are led to the abyss of ambiguity or to discourse reductionism.
Keywords: Semantic sign, Political discourse, Cinema, Movie poster, Under the Moonlight, Red.
کلیدواژه‌ها [English]
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