A
-
Abooata Amlashi, Emad
Henry Bergson’s Theory of Memory-Time and its Influence on Contemporary Iranian Cinema Narrative [Volume 8, Issue 15, 2018, Pages 55-72]
-
Afhami, Reza
The Role of the John Cage Concept of Simultaneity in the Blending of Arts in the Fluxus Movement (Case Study: 1950-60s) [Volume 8, Issue 15, 2018, Pages 89-107]
-
Akhoundi, Zahra
The Role of the John Cage Concept of Simultaneity in the Blending of Arts in the Fluxus Movement (Case Study: 1950-60s) [Volume 8, Issue 15, 2018, Pages 89-107]
-
Alipanahloo, Mahrokh
Time and Character in Asghar Farhadi’s A Seperation [Volume 8, Issue 15, 2018, Pages 73-88]
B
-
Bayat, Yaser
An Essay on Ontology of Symbolic Concept of Home in Mehrjoui’s Movies [Volume 8, Issue 15, 2018, Pages 41-53]
-
Bozorgmehr, Shirin
The Analysis of Identity in Sam Shepard’s Curse of the Starving Class Based
on Jacques Lacan’s Theory [Volume 8, Issue 16, 2018, Pages 21-36]
D
-
Dehghan Nejad, Morteza
Analysis of the Economic Function of Cinema in the Iran’s Constitutional Era
(1906-1926 AD) [Volume 8, Issue 16, 2018, Pages 71-96]
E
-
Esmaeilnia, Mohammad Reza
Symbolic Characteristics of Traditional Naqqāreh (Double-Conical Drum)
in Gīlan, the Northern Province of Iran [Volume 8, Issue 16, 2018, Pages 135-153]
G
-
Ghahramani, Mohammad Bagher
Diegesis vs. Mimesis; The Analysis of Narrative Aspects in Selected Works
by Bahram Beyzai [Volume 8, Issue 16, 2018, Pages 37-53]
-
Ghanbari Ahmadabad, Hosein
Studying “Parvane” Composed by Emanuel Melik_Aslaninan [Volume 8, Issue 15, 2018, Pages 127-142]
H
-
Honarmand, Amin
Pitch Organization and Compositional Techniques in Carter’s "Dialogues" [Volume 8, Issue 15, 2018, Pages 109-125]
-
Hosnaee, Mohammad Reza
Theater of War (Effects and Interactions) [Volume 8, Issue 15, 2018, Pages 23-39]
K
-
Kashan-Fallah, Saeed
Theater of War (Effects and Interactions) [Volume 8, Issue 15, 2018, Pages 23-39]
-
Khaksar, Ali
Analysis of Symbols and Symbolism in Ritual of "Chamar"
(A Case Study on Kord Folk on the West of Iran) [Volume 8, Issue 15, 2018, Pages 5-21]
M
-
Meshginqalam, Sahar
The Analysis of Identity in Sam Shepard’s Curse of the Starving Class Based
on Jacques Lacan’s Theory [Volume 8, Issue 16, 2018, Pages 21-36]
-
Moakedi, Saeid
Analysis of the Economic Function of Cinema in the Iran’s Constitutional Era
(1906-1926 AD) [Volume 8, Issue 16, 2018, Pages 71-96]
-
Mohebbi, Parastoo
Diegesis vs. Mimesis; The Analysis of Narrative Aspects in Selected Works
by Bahram Beyzai [Volume 8, Issue 16, 2018, Pages 37-53]
-
Mokhtabad Amrei, Seyed Mostafa
The Study of Origins of Paradoxical Collaboration in Processional Performances
Case Study: Ghalishooyan-e Mashhad-e Ardehal-e Kashan [Volume 8, Issue 16, 2018, Pages 5-19]
N
-
Naghashzadeh, Masoud
The Reconsideration of Unity of Character in the Structure of Master Plot Scripts;
The Study of Main Character Alternating Mechanism [Volume 8, Issue 16, 2018, Pages 97-112]
-
Nazari, Kazem
The Reconsideration of Unity of Character in the Structure of Master Plot Scripts;
The Study of Main Character Alternating Mechanism [Volume 8, Issue 16, 2018, Pages 97-112]
P
-
Pazouki, Shahab
The Study of Origins of Paradoxical Collaboration in Processional Performances
Case Study: Ghalishooyan-e Mashhad-e Ardehal-e Kashan [Volume 8, Issue 16, 2018, Pages 5-19]
-
Pourmand, HassanAli
The Study of Origins of Paradoxical Collaboration in Processional Performances
Case Study: Ghalishooyan-e Mashhad-e Ardehal-e Kashan [Volume 8, Issue 16, 2018, Pages 5-19]
R
-
Rafifar, Jalaluddin
Symbolic Characteristics of Traditional Naqqāreh (Double-Conical Drum)
in Gīlan, the Northern Province of Iran [Volume 8, Issue 16, 2018, Pages 135-153]
-
Roshandel, Ramin
Pitch Organization and Compositional Techniques in Carter’s "Dialogues" [Volume 8, Issue 15, 2018, Pages 109-125]
-
Rouhani, Seyyed Ali
Henry Bergson’s Theory of Memory-Time and its Influence on Contemporary Iranian Cinema Narrative [Volume 8, Issue 15, 2018, Pages 55-72]
S
-
Sadeghi, Shahryar
The Reconsideration of Unity of Character in the Structure of Master Plot Scripts;
The Study of Main Character Alternating Mechanism [Volume 8, Issue 16, 2018, Pages 97-112]
-
Sattari, Niyousha
The Rebirth of New Tragedy in British Theatre with an Emphasis on
‘4.48 Psychoses’ by Sarah Kane [Volume 8, Issue 16, 2018, Pages 55-70]
-
Sepehran, Kamran
The Rebirth of New Tragedy in British Theatre with an Emphasis on
‘4.48 Psychoses’ by Sarah Kane [Volume 8, Issue 16, 2018, Pages 55-70]
-
Shahba, Mohammad
Time and Character in Asghar Farhadi’s A Seperation [Volume 8, Issue 15, 2018, Pages 73-88]
-
Sheikhmehdi, Ali
An Essay on Ontology of Symbolic Concept of Home in Mehrjoui’s Movies [Volume 8, Issue 15, 2018, Pages 41-53]
-
SoltanKashefi, Jalaleddin
The Analysis of Features of Catharsis in Music and Dramatic Literature and
its Reflection in Western Painting and Printmaking [Volume 8, Issue 16, 2018, Pages 113-133]
T
-
Tafazzoli, Mohammadreza
Studying “Parvane” Composed by Emanuel Melik_Aslaninan [Volume 8, Issue 15, 2018, Pages 127-142]
Y
-
Yousefian Kenari, Mohammad Jafar
Diegesis vs. Mimesis; The Analysis of Narrative Aspects in Selected Works
by Bahram Beyzai [Volume 8, Issue 16, 2018, Pages 37-53]
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