Keyword Index

A

  • Albert’sBridge Linguistic Features of Radio Drama: A Case Study of Albert’s Bridge [Volume 3, Issue 5, 2012, Pages 38-19]
  • Animation The Study of Adaptation from Literary Texts to Animation [Volume 3, Issue 5, 2012, Pages 54-39]
  • Anthropology Study of Narrative Genres in Visual Anthropology [Volume 3, Issue 5, 2012, Pages 85-73]

C

  • Christian Religious dialogue in Shabih-khani [Volume 3, Issue 5, 2012, Pages 17-5]
  • Cinema Opening Scores in Cinema [Volume 3, Issue 5, 2012, Pages 104-87]
  • Coexistence of Time Bergson: Infrastructure of Deleuze Cinematic Philosophy [Volume 3, Issue 6, 2012, Pages 63-47]
  • Constitution A Survey on the Relation of the Nation-State to the Rise of Drama Institution in the 1st Pahlavi Period [Volume 3, Issue 6, 2012, Pages 34-21]

D

  • Discourse Evaluation of place transformation in the kanale komeil play: semiotic approach [Volume 3, Issue 6, 2012, Pages 46-35]
  • Discourse Analysis Linguistic Features of Radio Drama: A Case Study of Albert’s Bridge [Volume 3, Issue 5, 2012, Pages 38-19]
  • Dramaticarts The Study of Adaptation from Literary Texts to Animation [Volume 3, Issue 5, 2012, Pages 54-39]
  • Duration Bergson: Infrastructure of Deleuze Cinematic Philosophy [Volume 3, Issue 6, 2012, Pages 63-47]

F

  • Film Score Opening Scores in Cinema [Volume 3, Issue 5, 2012, Pages 104-87]

G

  • Genre Opening Scores in Cinema [Volume 3, Issue 5, 2012, Pages 104-87]

H

  • Harold Pinter Study of Harold Pinter’s playwright (Birthday Party) by Psychoanalysis of Jacques Lacan [Volume 3, Issue 6, 2012, Pages 19-5]
  • Homi Bhabha Hybridization of Identity in Postcolonial Theory: The Case Study of Roman Polanski’s The Pianist [Volume 3, Issue 6, 2012, Pages 73-63]
  • Hybrid cinema Expressive Evolution of Hybrid Cinema and Reproduction of Reality; Case Study: King Kong (1933) and (2005) [Volume 3, Issue 5, 2012, Pages 71-55]
  • Hybridity Hybridization of Identity in Postcolonial Theory: The Case Study of Roman Polanski’s The Pianist [Volume 3, Issue 6, 2012, Pages 73-63]

I

  • Identity Hybridization of Identity in Postcolonial Theory: The Case Study of Roman Polanski’s The Pianist [Volume 3, Issue 6, 2012, Pages 73-63]
  • Invariance The Usage of Pitch-class Set in Atonal Music [Volume 3, Issue 5, 2012, Pages 112-105]

J

  • Jacques Lacan Study of Harold Pinter’s playwright (Birthday Party) by Psychoanalysis of Jacques Lacan [Volume 3, Issue 6, 2012, Pages 19-5]
  • Jewish Religious dialogue in Shabih-khani [Volume 3, Issue 5, 2012, Pages 17-5]

K

  • King Kong Expressive Evolution of Hybrid Cinema and Reproduction of Reality; Case Study: King Kong (1933) and (2005) [Volume 3, Issue 5, 2012, Pages 71-55]

M

  • Memory Bergson: Infrastructure of Deleuze Cinematic Philosophy [Volume 3, Issue 6, 2012, Pages 63-47]
  • Mikle Dfrenne Mikle Dfrenne: A Phenomenological approach to Wagner’s Tristan and Isolde Opera [Volume 3, Issue 6, 2012, Pages 100-91]
  • Movement Bergson: Infrastructure of Deleuze Cinematic Philosophy [Volume 3, Issue 6, 2012, Pages 63-47]

O

  • Opening Scores Opening Scores in Cinema [Volume 3, Issue 5, 2012, Pages 104-87]
  • Opening Sequences Opening Scores in Cinema [Volume 3, Issue 5, 2012, Pages 104-87]

P

  • Phenomenology Mikle Dfrenne: A Phenomenological approach to Wagner’s Tristan and Isolde Opera [Volume 3, Issue 6, 2012, Pages 100-91]
  • Pitch-class set The Usage of Pitch-class Set in Atonal Music [Volume 3, Issue 5, 2012, Pages 112-105]
  • Pitch-class set concept The Usage of Pitch-class Set in Atonal Music [Volume 3, Issue 5, 2012, Pages 112-105]
  • Place Evaluation of place transformation in the kanale komeil play: semiotic approach [Volume 3, Issue 6, 2012, Pages 46-35]
  • Popular Music- Sign- Medium- Communicative Pattern- Functional Approaches The Semiotic of Popular Music and Its’ Medium Aspects [Volume 3, Issue 6, 2012, Pages 115-101]
  • Postcolonial theory Hybridization of Identity in Postcolonial Theory: The Case Study of Roman Polanski’s The Pianist [Volume 3, Issue 6, 2012, Pages 73-63]
  • Primeform The Usage of Pitch-class Set in Atonal Music [Volume 3, Issue 5, 2012, Pages 112-105]
  • Psychoanalysis Study of Harold Pinter’s playwright (Birthday Party) by Psychoanalysis of Jacques Lacan [Volume 3, Issue 6, 2012, Pages 19-5]

R

  • Realism Expressive Evolution of Hybrid Cinema and Reproduction of Reality; Case Study: King Kong (1933) and (2005) [Volume 3, Issue 5, 2012, Pages 71-55]
  • Recollection Bergson: Infrastructure of Deleuze Cinematic Philosophy [Volume 3, Issue 6, 2012, Pages 63-47]
  • Religion Religious dialogue in Shabih-khani [Volume 3, Issue 5, 2012, Pages 17-5]

S

  • Shabih-khani (Ta’ziyeh) Religious dialogue in Shabih-khani [Volume 3, Issue 5, 2012, Pages 17-5]
  • Shiite Religious dialogue in Shabih-khani [Volume 3, Issue 5, 2012, Pages 17-5]
  • Sigmund Freud Study of Harold Pinter’s playwright (Birthday Party) by Psychoanalysis of Jacques Lacan [Volume 3, Issue 6, 2012, Pages 19-5]
  • Space Evaluation of place transformation in the kanale komeil play: semiotic approach [Volume 3, Issue 6, 2012, Pages 46-35]
  • Super set The Usage of Pitch-class Set in Atonal Music [Volume 3, Issue 5, 2012, Pages 112-105]

T

  • Theatre of the Absurd Study of Harold Pinter’s playwright (Birthday Party) by Psychoanalysis of Jacques Lacan [Volume 3, Issue 6, 2012, Pages 19-5]
  • The Birthday Party Study of Harold Pinter’s playwright (Birthday Party) by Psychoanalysis of Jacques Lacan [Volume 3, Issue 6, 2012, Pages 19-5]
  • The Complement Relations The Usage of Pitch-class Set in Atonal Music [Volume 3, Issue 5, 2012, Pages 112-105]
  • The Pianist Hybridization of Identity in Postcolonial Theory: The Case Study of Roman Polanski’s The Pianist [Volume 3, Issue 6, 2012, Pages 73-63]
  • Thought-Image Bergson: Infrastructure of Deleuze Cinematic Philosophy [Volume 3, Issue 6, 2012, Pages 63-47]
  • Tom Stoppard Linguistic Features of Radio Drama: A Case Study of Albert’s Bridge [Volume 3, Issue 5, 2012, Pages 38-19]
  • Tristan and Isolde Mikle Dfrenne: A Phenomenological approach to Wagner’s Tristan and Isolde Opera [Volume 3, Issue 6, 2012, Pages 100-91]

W

  • Wagner Mikle Dfrenne: A Phenomenological approach to Wagner’s Tristan and Isolde Opera [Volume 3, Issue 6, 2012, Pages 100-91]

Z

  • Zoroastrian Religious dialogue in Shabih-khani [Volume 3, Issue 5, 2012, Pages 17-5]