A
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Animation
A Comparative Analysis of the Representation of Emotion and Embodiment in The Red Turtle (2016) and The Wild Robot (2024) Based on Lisa Feldman Barrett’s Theory of Constructed Emotion [Volume 17, Issue 45, 2026, Pages 82-102]
-
Anime
The Manifestation of Trauma in the Representation of Surreal Worlds in Japanese Anime: A Lacanian Perspective with a Focus on The Boy and the Heron [Volume 17, Issue 44, 2026, Pages 56-75]
B
-
Battle Scenes
Practical Strategies for Reducing the Negative Impacts of Violence in the Representation of Battle Scenes in Children’s and Adolescents’ Animation [Volume 17, Issue 45, 2026, Pages 46-65]
C
-
Children’s Animation
Practical Strategies for Reducing the Negative Impacts of Violence in the Representation of Battle Scenes in Children’s and Adolescents’ Animation [Volume 17, Issue 45, 2026, Pages 46-65]
-
Constructed Emotion Theory
A Comparative Analysis of the Representation of Emotion and Embodiment in The Red Turtle (2016) and The Wild Robot (2024) Based on Lisa Feldman Barrett’s Theory of Constructed Emotion [Volume 17, Issue 45, 2026, Pages 82-102]
-
Contemporary Composition
Studying and Adapting Extended Techniques for Kamancheh, by Presenting the Method of Notation in Contemporary Composition [Volume 17, Issue 45, 2026, Pages 4-24]
-
Count de Gobineau
Metamorphosis and transformation of form and meaning in Ta'zia, a step towards reaching the national theater
With a case study of five versions (Hadiqeh, the daughter of the King of Khotan, Abbas Hindu, the wedding of Fatima Zahra, Fath Ali Shah and [Volume 17, Issue 45, 2026, Pages 104-122]
E
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Ethnicity
Hidden Identities, Manifest Narratives: Analyzing the Representation of Ethnicity in the Documentary 'Colorful Island' through Stuart Hall’s Approach [Volume 17, Issue 44, 2026, Pages 94-107]
-
Extended Techniques
Studying and Adapting Extended Techniques for Kamancheh, by Presenting the Method of Notation in Contemporary Composition [Volume 17, Issue 45, 2026, Pages 4-24]
F
-
Forceville
Analysis of the Performance of Lava Directed by Richard Foreman Based on a Corpus-Based Approach and Charles Forceville’s Multimodal Metaphors [Volume 17, Issue 45, 2026, Pages 26-44]
-
Formal Function
Typology of studies on the relationship between music and poetry [Volume 17, Issue 44, 2026, Pages 20-36]
G
-
Gusheh
Metamorphosis and transformation of form and meaning in Ta'zia, a step towards reaching the national theater
With a case study of five versions (Hadiqeh, the daughter of the King of Khotan, Abbas Hindu, the wedding of Fatima Zahra, Fath Ali Shah and [Volume 17, Issue 45, 2026, Pages 104-122]
H
-
Haft Pardeh
From Confinement to Annihilation: A Hutcheonian Intermedial and Comparative Reading of the Film “Haft Parde” and Attar’s “The Conference of the Birds” [Volume 17, Issue 44, 2026, Pages 76-93]
-
Hayao Miyazaki
The Manifestation of Trauma in the Representation of Surreal Worlds in Japanese Anime: A Lacanian Perspective with a Focus on The Boy and the Heron [Volume 17, Issue 44, 2026, Pages 56-75]
I
-
Identity
Hidden Identities, Manifest Narratives: Analyzing the Representation of Ethnicity in the Documentary 'Colorful Island' through Stuart Hall’s Approach [Volume 17, Issue 44, 2026, Pages 94-107]
-
Intermediality
From Confinement to Annihilation: A Hutcheonian Intermedial and Comparative Reading of the Film “Haft Parde” and Attar’s “The Conference of the Birds” [Volume 17, Issue 44, 2026, Pages 76-93]
-
Intertextuality
From Confinement to Annihilation: A Hutcheonian Intermedial and Comparative Reading of the Film “Haft Parde” and Attar’s “The Conference of the Birds” [Volume 17, Issue 44, 2026, Pages 76-93]
-
Iranian Performance
Metamorphosis and transformation of form and meaning in Ta'zia, a step towards reaching the national theater
With a case study of five versions (Hadiqeh, the daughter of the King of Khotan, Abbas Hindu, the wedding of Fatima Zahra, Fath Ali Shah and [Volume 17, Issue 45, 2026, Pages 104-122]
J
-
Jacques Lacan
The Manifestation of Trauma in the Representation of Surreal Worlds in Japanese Anime: A Lacanian Perspective with a Focus on The Boy and the Heron [Volume 17, Issue 44, 2026, Pages 56-75]
-
Jean-Paul Sartre
Phenomenology of Shame and the Look in an Encounter with the Other
Based on Sartre's Thought in Asghar Farhadi's Cinema
(Case Study: The characters of Emad, Rana, and the rapist in Asghar Farhadi's film The Salesman) [Volume 17, Issue 45, 2026, Pages 124-141]
K
-
Kamancheh
Studying and Adapting Extended Techniques for Kamancheh, by Presenting the Method of Notation in Contemporary Composition [Volume 17, Issue 45, 2026, Pages 4-24]
L
-
Lava
Analysis of the Performance of Lava Directed by Richard Foreman Based on a Corpus-Based Approach and Charles Forceville’s Multimodal Metaphors [Volume 17, Issue 45, 2026, Pages 26-44]
-
Lisa Feldman Barrett
A Comparative Analysis of the Representation of Emotion and Embodiment in The Red Turtle (2016) and The Wild Robot (2024) Based on Lisa Feldman Barrett’s Theory of Constructed Emotion [Volume 17, Issue 45, 2026, Pages 82-102]
-
Literary Criticism
Typology of studies on the relationship between music and poetry [Volume 17, Issue 44, 2026, Pages 20-36]
M
-
Marco Donnarumma
Technological Bodies in the Cyborg Theater; Case study: The works of Marco Donnarumma [Volume 17, Issue 44, 2026, Pages 108-126]
-
Media Psychology
Practical Strategies for Reducing the Negative Impacts of Violence in the Representation of Battle Scenes in Children’s and Adolescents’ Animation [Volume 17, Issue 45, 2026, Pages 46-65]
-
Michel Foucault
Surveillance Cinema: Representing the Panopticon Atmosphere under the Pahlavi Government in the Films of the First Decade after the Revolution [Volume 17, Issue 44, 2026, Pages 38-54]
-
Multimodal Semiotics
Analysis of the Performance of Lava Directed by Richard Foreman Based on a Corpus-Based Approach and Charles Forceville’s Multimodal Metaphors [Volume 17, Issue 45, 2026, Pages 26-44]
N
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National Theater
Metamorphosis and transformation of form and meaning in Ta'zia, a step towards reaching the national theater
With a case study of five versions (Hadiqeh, the daughter of the King of Khotan, Abbas Hindu, the wedding of Fatima Zahra, Fath Ali Shah and [Volume 17, Issue 45, 2026, Pages 104-122]
-
Nonviolence
Practical Strategies for Reducing the Negative Impacts of Violence in the Representation of Battle Scenes in Children’s and Adolescents’ Animation [Volume 17, Issue 45, 2026, Pages 46-65]
-
Notation
Studying and Adapting Extended Techniques for Kamancheh, by Presenting the Method of Notation in Contemporary Composition [Volume 17, Issue 45, 2026, Pages 4-24]
O
-
Organism
Technological Bodies in the Cyborg Theater; Case study: The works of Marco Donnarumma [Volume 17, Issue 44, 2026, Pages 108-126]
P
-
Pahlavi Regime
Surveillance Cinema: Representing the Panopticon Atmosphere under the Pahlavi Government in the Films of the First Decade after the Revolution [Volume 17, Issue 44, 2026, Pages 38-54]
-
Panopticon surveillance
Surveillance Cinema: Representing the Panopticon Atmosphere under the Pahlavi Government in the Films of the First Decade after the Revolution [Volume 17, Issue 44, 2026, Pages 38-54]
-
Performance
Self-efficacy and piano performance: An investigation. [Volume 17, Issue 44, 2026, Pages 4-19]
-
Phenomenology
Phenomenology of Shame and the Look in an Encounter with the Other
Based on Sartre's Thought in Asghar Farhadi's Cinema
(Case Study: The characters of Emad, Rana, and the rapist in Asghar Farhadi's film The Salesman) [Volume 17, Issue 45, 2026, Pages 124-141]
-
Piano Performance
Self-efficacy and piano performance: An investigation. [Volume 17, Issue 44, 2026, Pages 4-19]
-
Piano Playing
Self-efficacy and piano performance: An investigation. [Volume 17, Issue 44, 2026, Pages 4-19]
-
Piano Self-efficacy
Self-efficacy and piano performance: An investigation. [Volume 17, Issue 44, 2026, Pages 4-19]
-
Post-Revolutionary Iranian Cinema
Surveillance Cinema: Representing the Panopticon Atmosphere under the Pahlavi Government in the Films of the First Decade after the Revolution [Volume 17, Issue 44, 2026, Pages 38-54]
-
Practical Strategies
Practical Strategies for Reducing the Negative Impacts of Violence in the Representation of Battle Scenes in Children’s and Adolescents’ Animation [Volume 17, Issue 45, 2026, Pages 46-65]
R
-
Referential Function
Typology of studies on the relationship between music and poetry [Volume 17, Issue 44, 2026, Pages 20-36]
-
Relationship between Music and Poetry
Typology of studies on the relationship between music and poetry [Volume 17, Issue 44, 2026, Pages 20-36]
-
Representation
Hidden Identities, Manifest Narratives: Analyzing the Representation of Ethnicity in the Documentary 'Colorful Island' through Stuart Hall’s Approach [Volume 17, Issue 44, 2026, Pages 94-107]
-
Richard Foreman
Analysis of the Performance of Lava Directed by Richard Foreman Based on a Corpus-Based Approach and Charles Forceville’s Multimodal Metaphors [Volume 17, Issue 45, 2026, Pages 26-44]
S
-
Shabih-khani
Metamorphosis and transformation of form and meaning in Ta'zia, a step towards reaching the national theater
With a case study of five versions (Hadiqeh, the daughter of the King of Khotan, Abbas Hindu, the wedding of Fatima Zahra, Fath Ali Shah and [Volume 17, Issue 45, 2026, Pages 104-122]
-
Shame and the Look
Phenomenology of Shame and the Look in an Encounter with the Other
Based on Sartre's Thought in Asghar Farhadi's Cinema
(Case Study: The characters of Emad, Rana, and the rapist in Asghar Farhadi's film The Salesman) [Volume 17, Issue 45, 2026, Pages 124-141]
-
Surrealism
The Manifestation of Trauma in the Representation of Surreal Worlds in Japanese Anime: A Lacanian Perspective with a Focus on The Boy and the Heron [Volume 17, Issue 44, 2026, Pages 56-75]
-
Surveillance Camera
Surveillance Cinema: Representing the Panopticon Atmosphere under the Pahlavi Government in the Films of the First Decade after the Revolution [Volume 17, Issue 44, 2026, Pages 38-54]
T
-
Ta’zieh
Metamorphosis and transformation of form and meaning in Ta'zia, a step towards reaching the national theater
With a case study of five versions (Hadiqeh, the daughter of the King of Khotan, Abbas Hindu, the wedding of Fatima Zahra, Fath Ali Shah and [Volume 17, Issue 45, 2026, Pages 104-122]
-
Technological Bodies
Technological Bodies in the Cyborg Theater; Case study: The works of Marco Donnarumma [Volume 17, Issue 44, 2026, Pages 108-126]
-
The Colorful Island documentary
Hidden Identities, Manifest Narratives: Analyzing the Representation of Ethnicity in the Documentary 'Colorful Island' through Stuart Hall’s Approach [Volume 17, Issue 44, 2026, Pages 94-107]
-
The Conference of the Birds
From Confinement to Annihilation: A Hutcheonian Intermedial and Comparative Reading of the Film “Haft Parde” and Attar’s “The Conference of the Birds” [Volume 17, Issue 44, 2026, Pages 76-93]
-
The Other
Phenomenology of Shame and the Look in an Encounter with the Other
Based on Sartre's Thought in Asghar Farhadi's Cinema
(Case Study: The characters of Emad, Rana, and the rapist in Asghar Farhadi's film The Salesman) [Volume 17, Issue 45, 2026, Pages 124-141]
-
The Real
The Manifestation of Trauma in the Representation of Surreal Worlds in Japanese Anime: A Lacanian Perspective with a Focus on The Boy and the Heron [Volume 17, Issue 44, 2026, Pages 56-75]
-
The Red Turtle
A Comparative Analysis of the Representation of Emotion and Embodiment in The Red Turtle (2016) and The Wild Robot (2024) Based on Lisa Feldman Barrett’s Theory of Constructed Emotion [Volume 17, Issue 45, 2026, Pages 82-102]
-
The Salesman
Phenomenology of Shame and the Look in an Encounter with the Other
Based on Sartre's Thought in Asghar Farhadi's Cinema
(Case Study: The characters of Emad, Rana, and the rapist in Asghar Farhadi's film The Salesman) [Volume 17, Issue 45, 2026, Pages 124-141]
-
The Wild Robot
A Comparative Analysis of the Representation of Emotion and Embodiment in The Red Turtle (2016) and The Wild Robot (2024) Based on Lisa Feldman Barrett’s Theory of Constructed Emotion [Volume 17, Issue 45, 2026, Pages 82-102]
-
Traditional Japanese Plays
The Roles of Child Performers in Traditional Japanese Plays: An Analytical Study of Performance Regulations and Cultural-Religious Implications [Volume 17, Issue 45, 2026, Pages 66-80]
-
Trauma
The Manifestation of Trauma in the Representation of Surreal Worlds in Japanese Anime: A Lacanian Perspective with a Focus on The Boy and the Heron [Volume 17, Issue 44, 2026, Pages 56-75]
V
-
Visual Metaphor and Metonymy
Analysis of the Performance of Lava Directed by Richard Foreman Based on a Corpus-Based Approach and Charles Forceville’s Multimodal Metaphors [Volume 17, Issue 45, 2026, Pages 26-44]
-
Visual narrative
Hidden Identities, Manifest Narratives: Analyzing the Representation of Ethnicity in the Documentary 'Colorful Island' through Stuart Hall’s Approach [Volume 17, Issue 44, 2026, Pages 94-107]
-
Vocal
Typology of studies on the relationship between music and poetry [Volume 17, Issue 44, 2026, Pages 20-36]
Z
-
Zeami
The Roles of Child Performers in Traditional Japanese Plays: An Analytical Study of Performance Regulations and Cultural-Religious Implications [Volume 17, Issue 45, 2026, Pages 66-80]
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