Author Index

A

  • Afzali, Seyyedeh Zeinab Hidden Identities, Manifest Narratives: Analyzing the Representation of Ethnicity in the Documentary 'Colorful Island' through Stuart Hall’s Approach [Volume 17, Issue 44, 2026, Pages 94-107]
  • Akvan, Mohammad Phenomenology of Shame and the Look in an Encounter with the Other Based on Sartre's Thought in Asghar Farhadi's Cinema (Case Study: The characters of Emad, Rana, and the rapist in Asghar Farhadi's film The Salesman) [Volume 17, Issue 45, 2026, Pages 124-141]
  • Aminian, Nariman The Roles of Child Performers in Traditional Japanese Plays: An Analytical Study of Performance Regulations and Cultural-Religious Implications [Volume 17, Issue 45, 2026, Pages 66-80]
  • Amirnezami, Tooraj Self-efficacy and piano performance: An investigation. [Volume 17, Issue 44, 2026, Pages 4-19]
  • Azadeh, Pooyan Self-efficacy and piano performance: An investigation. [Volume 17, Issue 44, 2026, Pages 4-19]

D

  • Dadkhah, Pejman Hidden Identities, Manifest Narratives: Analyzing the Representation of Ethnicity in the Documentary 'Colorful Island' through Stuart Hall’s Approach [Volume 17, Issue 44, 2026, Pages 94-107]
  • Darvish, Amir Muhamad From Confinement to Annihilation: A Hutcheonian Intermedial and Comparative Reading of the Film “Haft Parde” and Attar’s “The Conference of the Birds” [Volume 17, Issue 44, 2026, Pages 76-93]
  • Dehghan Harati, Mahmoud Phenomenology of Shame and the Look in an Encounter with the Other Based on Sartre's Thought in Asghar Farhadi's Cinema (Case Study: The characters of Emad, Rana, and the rapist in Asghar Farhadi's film The Salesman) [Volume 17, Issue 45, 2026, Pages 124-141]
  • Doregiraei, Nastaran Surveillance Cinema: Representing the Panopticon Atmosphere under the Pahlavi Government in the Films of the First Decade after the Revolution [Volume 17, Issue 44, 2026, Pages 38-54]

F

  • Farzanfar, Fariba Practical Strategies for Reducing the Negative Impacts of Violence in the Representation of Battle Scenes in Children’s and Adolescents’ Animation [Volume 17, Issue 45, 2026, Pages 46-65]

H

  • Hajimollaali, Mohammad Reza Analysis of the Performance of Lava Directed by Richard Foreman Based on a Corpus-Based Approach and Charles Forceville’s Multimodal Metaphors [Volume 17, Issue 45, 2026, Pages 26-44]

K

  • Karimi hosnijeh, Vajihe Metamorphosis and transformation of form and meaning in Ta'zia, a step towards reaching the national theater With a case study of five versions (Hadiqeh, the daughter of the King of Khotan, Abbas Hindu, the wedding of Fatima Zahra, Fath Ali Shah and [Volume 17, Issue 45, 2026, Pages 104-122]

M

  • Mahmoodi Koochaksaraee, Ali Asghar Self-efficacy and piano performance: An investigation. [Volume 17, Issue 44, 2026, Pages 4-19]
  • Mirzaei, Hamed A Comparative Analysis of the Representation of Emotion and Embodiment in The Red Turtle (2016) and The Wild Robot (2024) Based on Lisa Feldman Barrett’s Theory of Constructed Emotion [Volume 17, Issue 45, 2026, Pages 82-102]
  • Mofayezi, Amirhosein Studying and Adapting Extended Techniques for Kamancheh, by Presenting the Method of Notation in Contemporary Composition [Volume 17, Issue 45, 2026, Pages 4-24]
  • Mohammadi Kalesar, Alireza Typology of studies on the relationship between music and poetry [Volume 17, Issue 44, 2026, Pages 20-36]
  • Momeni, Maryam The Manifestation of Trauma in the Representation of Surreal Worlds in Japanese Anime: A Lacanian Perspective with a Focus on The Boy and the Heron [Volume 17, Issue 44, 2026, Pages 56-75]
  • Motamedi, Razgol Technological Bodies in the Cyborg Theater; Case study: The works of Marco Donnarumma [Volume 17, Issue 44, 2026, Pages 108-126]

R

  • Rasekh, Elnaz Phenomenology of Shame and the Look in an Encounter with the Other Based on Sartre's Thought in Asghar Farhadi's Cinema (Case Study: The characters of Emad, Rana, and the rapist in Asghar Farhadi's film The Salesman) [Volume 17, Issue 45, 2026, Pages 124-141]
  • Razavi Bazaz, Seyede Haniye Analysis of the Performance of Lava Directed by Richard Foreman Based on a Corpus-Based Approach and Charles Forceville’s Multimodal Metaphors [Volume 17, Issue 45, 2026, Pages 26-44]

S

  • Sayyad, Alireza Surveillance Cinema: Representing the Panopticon Atmosphere under the Pahlavi Government in the Films of the First Decade after the Revolution [Volume 17, Issue 44, 2026, Pages 38-54]
  • Shahbazi, Ramtin The Manifestation of Trauma in the Representation of Surreal Worlds in Japanese Anime: A Lacanian Perspective with a Focus on The Boy and the Heron [Volume 17, Issue 44, 2026, Pages 56-75]
  • Soltani, Seyyed Hasan Practical Strategies for Reducing the Negative Impacts of Violence in the Representation of Battle Scenes in Children’s and Adolescents’ Animation [Volume 17, Issue 45, 2026, Pages 46-65]

T

  • Tahriri, Madjid Studying and Adapting Extended Techniques for Kamancheh, by Presenting the Method of Notation in Contemporary Composition [Volume 17, Issue 45, 2026, Pages 4-24]

Y

  • Yazdi, Narges Technological Bodies in the Cyborg Theater; Case study: The works of Marco Donnarumma [Volume 17, Issue 44, 2026, Pages 108-126]

Z

  • Zabihifar, Ehsan Studying and Adapting Extended Techniques for Kamancheh, by Presenting the Method of Notation in Contemporary Composition [Volume 17, Issue 45, 2026, Pages 4-24]
  • Zinalabedini, Payam From Confinement to Annihilation: A Hutcheonian Intermedial and Comparative Reading of the Film “Haft Parde” and Attar’s “The Conference of the Birds” [Volume 17, Issue 44, 2026, Pages 76-93]